51. Serial audio interface (SAI)

51.1 Introduction

The SAI interface (serial audio interface) offers a wide set of audio protocols due to its flexibility and wide range of configurations. Many stereo or mono audio applications may be targeted. I2S standards, LSB or MSB-justified, PCM/DSP, TDM, and AC'97 protocols may be addressed for example. SPDIF output is offered when the audio block is configured as a transmitter.

To bring this level of flexibility and reconfigurability, the SAI contains two independent audio subblocks. Each block has its own clock generator and I/O line controller.

The SAI works in master or slave configuration. The audio subblocks are either receiver or transmitter and work synchronously or not (with respect to the other one).

The SAI can be connected with other SAIs to work synchronously.

51.2 SAI main features

51.3 SAI implementation

Table 423. STM32H743/753/745/755/747/757 SAI features (1)

SAI featuresSAI1SAI2SAI3SAI4
I2S, LSB or MSB-justified, PCM/DSP, TDM, AC'97XXXX
FIFO size8 words8 words8 words8 words
SPDIFXXXX
PDMX (2)--X (2)

1. 'X' = supported, '-' = not supported.

2. Only signals D[3:1], and CK[2:1] are available.

51.4 SAI functional description

51.4.1 SAI block diagram

Figure 646 shows the SAI block diagram while Table 424 and Table 425 list SAI internal and external signals.

Figure 646. SAI functional block diagram

Figure 646. SAI functional block diagram. The diagram shows the internal architecture of the SAI. At the top and bottom, 32-bit APB buses are shown, connected via 'sai_a_gbl_it', 'sai_a_dma', 'sai_b_gbl_it', and 'sai_b_dma' signals to APB Interfaces. The SAI contains two main audio blocks: Audio block A and Audio block B. Each block includes a Clock generator (receiving sai_a_ker_ck or sai_b_ker_ck), SAI_ACR1 or SAI_BCR1 registers, a FIFO, FIFO ctrl, Configuration and status registers, FSM, and a 32-bit shift register. A central IO Line Management block connects to both audio blocks and provides pins for FS, SCK, SD, and MCLK for each block. Synchronous signals (sai_sync_out_sck, sai_sync_out_fs, sai_sync_in_sck, sai_sync_in_fs) are also shown. A PDM_IF block is also present. The diagram is labeled MSv62453V1.
Figure 646. SAI functional block diagram. The diagram shows the internal architecture of the SAI. At the top and bottom, 32-bit APB buses are shown, connected via 'sai_a_gbl_it', 'sai_a_dma', 'sai_b_gbl_it', and 'sai_b_dma' signals to APB Interfaces. The SAI contains two main audio blocks: Audio block A and Audio block B. Each block includes a Clock generator (receiving sai_a_ker_ck or sai_b_ker_ck), SAI_ACR1 or SAI_BCR1 registers, a FIFO, FIFO ctrl, Configuration and status registers, FSM, and a 32-bit shift register. A central IO Line Management block connects to both audio blocks and provides pins for FS, SCK, SD, and MCLK for each block. Synchronous signals (sai_sync_out_sck, sai_sync_out_fs, sai_sync_in_sck, sai_sync_in_fs) are also shown. A PDM_IF block is also present. The diagram is labeled MSv62453V1.
  1. 1. These signals might not be available for all SAI instances. Refer to Section 51.3: SAI implementation for details.

The SAI is mainly composed of two audio subblocks with their own clock generator. Each audio block integrates a 32-bit shift register controlled by their own functional state machine. Data are stored or read from the dedicated FIFO. FIFO may be accessed by the CPU, or by DMA in order to leave the CPU free during the communication. Each audio block is independent. They can be synchronous with each other.

An I/O line controller manages a set of 4 dedicated pins (SD, SCK, FS, MCLK) for a given audio block in the SAI. Some of these pins can be shared if the two subblocks are declared as synchronous to leave some free to be used as general purpose I/Os. The MCLK pin can be output, or not, depending on the application, the decoder requirement and whether the audio block is configured as the master.

If one SAI is configured to operate synchronously with another one, even more I/Os can be freed (except for pins SD_x).

The functional state machine can be configured to address a wide range of audio protocols. Some registers are present to set-up the desired protocols (audio frame waveform generator).

The audio subblock can be a transmitter or receiver, in master or slave mode. The master mode means the SCK_x bit clock and the frame synchronization signal are generated from the SAI, whereas in slave mode, they come from another external or internal master. There is a particular case for which the FS signal direction is not directly linked to the master or slave mode definition. In AC'97 protocol, it is an SAI output even if the SAI (link controller) is set-up to consume the SCK clock (and so to be in Slave mode).

Note: For ease of reading of this section, the notation SAI_x refers to SAI_A or SAI_B, where 'x' represents the SAI A or B subblock.

51.4.2 SAI pins and internal signals

Table 424. SAI internal input/output signals

Internal signal nameSignal typeDescription
sai_a_gbl_it/
sai_b_gbl_it
OutputAudio block A and B global interrupts.
sai_a_dma,
sai_b_dma
Input/outputAudio block A and B DMA acknowledges and requests.
sai_sync_out_sck,
sai_sync_out_fs
OutputInternal clock and frame synchronization output signals exchanged with other SAI blocks.
sai_sync_in_sck,
sai_sync_in_fs
InputInternal clock and frame synchronization input signals exchanged with other SAI blocks.
sai_a_ker_ck/
sai_b_ker_ck
InputAudio block A/B kernel clock.
sai_pclkInputAPB clock.

Table 425. SAI input/output pins

NameSignal typeComments
SAI_SCK_A/BInput/outputAudio block A/B bit clock.
SAI_MCLK_A/BOutputAudio block A/B master clock.
SAI_SD_A/BInput/outputData line for block A/B.
SAI_FS_A/BInput/outputFrame synchronization line for audio block A/B.
SAI_CK[4:1]OutputPDM bitstream clock (1) .
SAI_D[4:1]InputPDM bitstream data (1) .

1. These signals might not be available in all SAI instances. Refer to Section 51.3: SAI implementation for details.

51.4.3 Main SAI modes

Each audio subblock of the SAI can be configured to be master or slave via MODE bits in the SAI_xCR1 register of the selected audio block.

Master mode

In master mode, the SAI delivers the timing signals to the external connected device:

Both SCK_x, FS_x and MCLK_x are configured as outputs.

Slave mode

The SAI expects to receive timing signals from an external device.

In slave mode, MCLK_x pin is not used and can be assigned to another function.

It is recommended to enable the slave device before enabling the master.

Configuring and enabling SAI modes

Each audio subblock can be independently defined as a transmitter or receiver through the MODE bit in the SAI_xCR1 register of the corresponding audio block. As a result, SAI_SD_x pin is respectively configured as an output or an input.

Two master audio blocks in the same SAI can be configured with two different MCLK and SCK clock frequencies. In this case they have to be configured in asynchronous mode.

Each of the audio blocks in the SAI are enabled by SAIEN bit in the SAI_xCR1 register. As soon as this bit is active, the transmitter or the receiver is sensitive to the activity on the clock line, data line and synchronization line in slave mode.

In master TX mode, enabling the audio block immediately generates the bit clock for the external slaves even if there is no data in the FIFO. However FS signal generation is conditioned by the presence of data in the FIFO. After the FIFO receives the first data to transmit, this data is output to external slaves. If there is no data to transmit in the FIFO, 0 values are then sent in the audio frame with an underrun flag generation.

In slave mode, the audio frame starts when the audio block is enabled and when a start of frame is detected.

In Slave TX mode, no underrun event is possible on the first frame after the audio block is enabled, because the mandatory operating sequence in this case is:

  1. 1. Write into the SAI_xDR (by software or by DMA).
  2. 2. Wait until the FIFO threshold (FLH) flag is different from 0b000 (FIFO empty).
  3. 3. Enable the audio block in slave transmitter mode.

51.4.4 SAI synchronization mode

There are two levels of synchronization, either at audio subblock level or at SAI level.

Internal synchronization

An audio subblock can be configured to operate synchronously with the second audio subblock in the same SAI. In this case, the bit clock and the frame synchronization signals are shared to reduce the number of external pins used for the communication. The audio block configured in synchronous mode sees its own SCK_x, FS_x, and MCLK_x pins released back as GPIOs while the audio block configured in asynchronous mode is the one for which FS_x and SCK_x and MCLK_x I/O pins are relevant (if the audio block is considered as master).

Typically, the audio block in synchronous mode can be used to configure the SAI in full duplex mode. One of the two audio blocks can be configured as a master and the other as slave, or both as slaves with one asynchronous block (corresponding SYNCEN[1:0] bits set to 00 in SAI_xCR1) and one synchronous block (corresponding SYNCEN[1:0] bits set to 01 in the SAI_xCR1).

Note: Due to internal resynchronization stages, PCLK APB frequency must be higher than twice the bit rate clock frequency.

External synchronization

The audio subblocks can also be configured to operate synchronously with another SAI. This can be done as follow:

  1. 1. The SAI, which is configured as the source from which the other SAI is synchronized, has to define which of its audio subblock is supposed to provide the FS and SCK signals to other SAI. This is done by programming SYNCOUT[1:0] bits.
  2. 2. The SAI which receives the synchronization signals, has to select which SAI provides the synchronization by setting the proper value on SYNCIN[1:0] bits. For each of the two SAI audio subblocks, the user must then specify if it operates synchronously with the other SAI via the SYNCEN bit.

Note: SYNCIN[1:0] and SYNCOUT[1:0] bits are located into the SAI_GCR register, and SYNCEN bits into SAI_xCR1 register.

If both audio subblocks in a given SAI need to be synchronized with another SAI, it is possible to choose one of the following configurations:

The following table shows how to select the proper synchronization signal depending on the SAI block used. For example SAI2 can select the synchronization from SAI1 by setting SAI2 SYNCIN to 0. If SAI1 wants to select the synchronization coming from SAI2, SAI1 SYNCIN must be set to 1. Positions noted as 'Reserved' must not be used.

Table 426. External synchronization selection

Block instanceSYNCIN= 3SYNCIN= 2SYNCIN= 1SYNCIN= 0
SAI1SAI4SAI3SAI2Reserved
SAI2SAI4SAI3ReservedSAI1
SAI3SAI4ReservedSAI2SAI1
SAI4ReservedSAI3SAI2SAI1

51.4.5 Audio data size

The audio frame can target different data sizes by configuring bit DS[2:0] in the SAI_xCR1 register. The data sizes may be 8, 10, 16, 20, 24 or 32 bits. During the transfer, either the MSB or the LSB of the data are sent first, depending on the configuration of bit LSBFIRST in the SAI_xCR1 register.

51.4.6 Frame synchronization

The FS signal acts as the Frame synchronization signal in the audio frame (start of frame). The shape of this signal is completely configurable in order to target the different audio protocols with their own specificities concerning this Frame synchronization behavior. This reconfigurability is done using register SAI_xFRCR. Figure 647 illustrates this flexibility.

Figure 647. Audio frame

Timing diagram of an audio frame showing FS, SCK, and SD signals. The FS signal has a total length of up to 256 bits, with an active duration of up to 128 bits. A falling edge can occur into this active area. Below the FS signal, the SCK signal is shown as a series of pulses. The SD signal is divided into slots (Slot 0, Slot 1, Slot 2, Slot 3, Slot 4, ..., Slot 0). Two versions of the SD signal are shown: one for FS OFF = 0 and another for FS OFF = 1, where the latter is shifted by one slot.
Timing diagram of an audio frame showing FS, SCK, and SD signals. The FS signal has a total length of up to 256 bits, with an active duration of up to 128 bits. A falling edge can occur into this active area. Below the FS signal, the SCK signal is shown as a series of pulses. The SD signal is divided into slots (Slot 0, Slot 1, Slot 2, Slot 3, Slot 4, ..., Slot 0). Two versions of the SD signal are shown: one for FS OFF = 0 and another for FS OFF = 1, where the latter is shifted by one slot.

In AC'97 mode or in SPDIF mode (bit PRTCFCG[1:0] = 10 or PRTCFCG[1:0] = 01 in the SAI_xCR1 register), the frame synchronization shape is forced to match the AC'97 protocol. The SAI_xFRCR register value is ignored.

Each audio block is independent and consequently each one requires a specific configuration.

Frame length

The audio frame length can be configured to up to 256 bit clock cycles, by setting FRL[7:0] field in the SAI_xFRCR register.

If the frame length is greater than the number of declared slots for the frame, the remaining bits to transmit is extended to 0 or the SD line is released to HI-z depending the state of bit TRIS in the SAI_xCR2 register (refer to FS signal role ). In reception mode, the remaining bit is ignored.

If bit NOMCK is cleared, (FRL+1) must be equal to a power of 2, from 8 to 256, to ensure that an audio frame contains an integer number of MCLK pulses per bit clock cycle.

If bit NOMCK is set, the (FRL+1) field can take any value from 8 to 256. Refer to Section 51.4.8: SAI clock generator ”.

The audio frame length is mainly used to specify to the slave the number of bit clock cycles per audio frame sent by the external master. It is used mainly to detect from the master any anticipated or late occurrence of the Frame synchronization signal during an ongoing audio frame. In this case an error is generated. For more details refer to Section 51.4.14: Error flags .

In slave mode, there are no constraints on the FRL[7:0] configuration in the SAI_xFRCR register.

The number of bits in the frame is equal to FRL[7:0] + 1.

The minimum number of bits to transfer in an audio frame is 8.

Frame synchronization polarity

FSPOL bit in the SAI_xFRCR register sets the active polarity of the FS pin from which a frame is started. The start of frame is edge sensitive.

In slave mode, the audio block waits for a valid frame to start transmitting or receiving. Start of frame is synchronized to this signal. It is effective only if the start of frame is not detected during an ongoing communication and assimilated to an anticipated start of frame (refer to Section 51.4.14: Error flags ).

In master mode, the frame synchronization is sent continuously each time an audio frame is complete until the SAIEN bit in the SAI_xCR1 register is cleared. If no data are present in the FIFO at the end of the previous audio frame, an underrun condition is managed as described in Section 51.4.14: Error flags , but the audio communication flow is not interrupted.

Frame synchronization active level length

The FSALL[6:0] bits of the SAI_xFRCR register enable the configuration of the length of the active level of the Frame synchronization signal. The length can be set from 1 to 128 bit clock cycles.

As an example, the active length can be half of the frame length in I2S, LSB or MSB-justified modes, or one-bit wide for PCM/DSP or TDM.

Frame synchronization offset

Depending on the audio protocol targeted in the application, the Frame synchronization signal can be asserted when transmitting the last bit or the first bit of the audio frame (this is the case in I2S standard protocol and in MSB-justified protocol, respectively). FSOFF bit in the SAI_xFRCR register enables to choose one of the two configurations.

FS signal role

The FS signal can have a different meaning depending on the FS function. FSDEF bit in the SAI_xFRCR register selects which meaning it has:

When the FS signal is considered as a start of frame and channel side identification within the frame, the number of declared slots must be considered to be half the number for the left channel and half the number for the right channel. If the number of bit clock cycles on half audio frame is greater than the number of slots dedicated to a channel side, and TRIS = 0, 0 is sent for transmission for the remaining bit clock cycles in the SAI_xCR2 register. Otherwise if TRIS = 1, the SD line is released to HI-Z. In reception mode, the remaining bit clock cycles are not considered until the channel side changes.

Figure 648. FS role is start of frame + channel side identification (FSDEF = TRIS = 1)

Timing diagram for SAI when slots are not aligned with the audio frame. The FS signal goes low at the start of the audio frame and returns high at the half-frame point. The sck signal is a square wave. The slot sequence shows Slot 0 ON, Slot 1 OFF, Slot 2 ON, followed by a break, then Slot 3 ON, Slot 4 OFF, Slot 5 ON, followed by another break. The audio frame length is indicated by a double-headed arrow starting from the FS falling edge. Timing diagram for SAI when slots are aligned with the audio frame. The FS signal goes low at the start of the audio frame and returns high at the half-frame point. The sck signal is a square wave. The slot sequence shows Slot 0, Slot 1, Slot 2, Slot 3, Slot 4, Slot 5. The audio frame length is indicated by a double-headed arrow starting from the FS falling edge.

Number of slots not aligned with the audio frame

Audio frame

Half of frame

FS

sck

slot Slot 0 ON Slot 1 OFF Slot 2 ON // Slot 3 ON Slot 4 OFF Slot 5 ON //

Number of slots aligned with the audio frame

Audio frame

Half of frame

FS

sck

slot Slot 0 Slot 1 Slot 2 Slot 3 Slot 4 Slot 5

MS30038V2

Timing diagram for SAI when slots are not aligned with the audio frame. The FS signal goes low at the start of the audio frame and returns high at the half-frame point. The sck signal is a square wave. The slot sequence shows Slot 0 ON, Slot 1 OFF, Slot 2 ON, followed by a break, then Slot 3 ON, Slot 4 OFF, Slot 5 ON, followed by another break. The audio frame length is indicated by a double-headed arrow starting from the FS falling edge. Timing diagram for SAI when slots are aligned with the audio frame. The FS signal goes low at the start of the audio frame and returns high at the half-frame point. The sck signal is a square wave. The slot sequence shows Slot 0, Slot 1, Slot 2, Slot 3, Slot 4, Slot 5. The audio frame length is indicated by a double-headed arrow starting from the FS falling edge.
  1. 1. The frame length must be even.

If FSDEF bit in SAI_xFRCR is kept clear, so FS signal is equivalent to a start of frame, and if the number of slots defined in NBSLOT[3:0] in SAI_xSLOTR multiplied by the number of bits by slot configured in SLOTSZ[1:0] in SAI_xSLOTR is less than the frame size (bit FRL[7:0] in the SAI_xFRCR register), then:

Figure 649. FS role is start of frame (FSDEF = 0)

Timing diagram for SAI audio frame. The top signal is the FS (Frame Synchronization) signal, which is a square wave that goes high at the start of the audio frame and returns low at the end. The middle signal is the SCK (Serial Clock) signal, which is a continuous square wave. The bottom signal is the SD (Serial Data) line, which is divided into slots: Slot 0, Slot 1, Slot 2, ..., Slot n. A double slash indicates a gap between Slot 2 and Slot n. Below the diagram, text indicates: 'Data = 0 after slot n if TRIS = 0' and 'SD output released (HI-Z) after slot n if TRIS = 1'. The diagram is labeled 'MS30039V1' in the bottom right corner.
Timing diagram for SAI audio frame. The top signal is the FS (Frame Synchronization) signal, which is a square wave that goes high at the start of the audio frame and returns low at the end. The middle signal is the SCK (Serial Clock) signal, which is a continuous square wave. The bottom signal is the SD (Serial Data) line, which is divided into slots: Slot 0, Slot 1, Slot 2, ..., Slot n. A double slash indicates a gap between Slot 2 and Slot n. Below the diagram, text indicates: 'Data = 0 after slot n if TRIS = 0' and 'SD output released (HI-Z) after slot n if TRIS = 1'. The diagram is labeled 'MS30039V1' in the bottom right corner.

The FS signal is not used when the audio block in transmitter mode is configured to get the SPDIF output on the SD line. The corresponding FS I/O is released and left free for other purposes.

51.4.7 Slot configuration

The slot is the basic element in the audio frame. The number of slots in the audio frame is equal to \( NBSLOT[3:0] + 1 \) .

The maximum number of slots per audio frame is fixed at 16.

For AC'97 protocol or SPDIF (when bit \( PRTCFCFG[1:0] = 10 \) or \( PRTCFCFG[1:0] = 01 \) ), the number of slots is automatically set to target the protocol specification, and the value of \( NBSLOT[3:0] \) is ignored.

Each slot can be defined as a valid slot, or not, by setting \( SLOTEN[15:0] \) bits of the \( SAI\_xSLOTR \) register.

When an invalid slot is transferred, the SD data line is either forced to 0 or released to HI-Z depending on TRIS bit configuration (refer to Output data line management on an inactive slot ) in transmitter mode. In receiver mode, the received value from the end of this slot is ignored. Consequently, there is no FIFO access and so no request to read or write the FIFO linked to this inactive slot status.

The slot size is also configurable as shown in Figure 650 . The size of the slots is selected by setting \( SLOTSZ[1:0] \) bits in the \( SAI\_xSLOTR \) register. The size is applied identically for each slot in an audio frame.

Figure 650. Slot size configuration with FBOFF = 0 in SAI_xSLOTR

Figure 650: Slot size configuration with FBOFF = 0 in SAI_xSLOTR. The diagram shows two columns: 'Audio block is transmitter' and 'Audio block is receiver'. Both columns show three slot configurations. In the transmitter column, the first slot has 'data size' only. The second slot has 'data size' followed by '00..00', with a 16-bit width indicated. The third slot has 'data size' followed by '00..00', with a 32-bit width indicated. In the receiver column, the first slot has 'data size' only. The second slot has 'data size' followed by 'X..X', with a 16-bit width indicated. The third slot has 'data size' followed by 'XX..XX', with a 32-bit width indicated. A note at the bottom right says 'X: don't care' and 'MSV30033V1'.
Figure 650: Slot size configuration with FBOFF = 0 in SAI_xSLOTR. The diagram shows two columns: 'Audio block is transmitter' and 'Audio block is receiver'. Both columns show three slot configurations. In the transmitter column, the first slot has 'data size' only. The second slot has 'data size' followed by '00..00', with a 16-bit width indicated. The third slot has 'data size' followed by '00..00', with a 32-bit width indicated. In the receiver column, the first slot has 'data size' only. The second slot has 'data size' followed by 'X..X', with a 16-bit width indicated. The third slot has 'data size' followed by 'XX..XX', with a 32-bit width indicated. A note at the bottom right says 'X: don't care' and 'MSV30033V1'.

It is possible to choose the position of the first data bit to transfer within the slots. This offset is configured by FBOFF[4:0] bits in the SAI_xSLOTR register. 0 values are injected in transmitter mode from the beginning of the slot until this offset position is reached. In reception, the bit in the offset phase is ignored. This feature targets the LSB justified protocol (if the offset is equal to the slot size minus the data size).

Figure 651. First bit offset

Figure 651: First bit offset. The diagram shows two columns: 'Audio block is transmitter' and 'Audio block is receiver'. Both columns show three slot configurations. In the transmitter column, the first slot has 'data size' only. The second slot has 'FBOFF' (00), 'data size', and '00', with a 16-bit width indicated. The third slot has 'FBOFF = SLOT SZ - DS' (00..00) and 'data size', with a 32-bit width indicated. In the receiver column, the first slot has 'data size' only. The second slot has 'FBOFF' (XX), 'data size', and 'XX', with a 16-bit width indicated. The third slot has 'FBOFF = SLOT SZ - DS' (XX..XX) and 'data size', with a 32-bit width indicated. A note at the bottom right says 'X: don't care' and 'MSV30034V1'.
Figure 651: First bit offset. The diagram shows two columns: 'Audio block is transmitter' and 'Audio block is receiver'. Both columns show three slot configurations. In the transmitter column, the first slot has 'data size' only. The second slot has 'FBOFF' (00), 'data size', and '00', with a 16-bit width indicated. The third slot has 'FBOFF = SLOT SZ - DS' (00..00) and 'data size', with a 32-bit width indicated. In the receiver column, the first slot has 'data size' only. The second slot has 'FBOFF' (XX), 'data size', and 'XX', with a 16-bit width indicated. The third slot has 'FBOFF = SLOT SZ - DS' (XX..XX) and 'data size', with a 32-bit width indicated. A note at the bottom right says 'X: don't care' and 'MSV30034V1'.

It is mandatory to respect the following conditions to avoid bad SAI behavior:

\[ FBOFF \leq (SLOTSZ - DS), \]

\[ DS \leq SLOTSZ, \]

\[ NBSLOT \times SLOTSZ \leq FRL \text{ (frame length),} \]

The number of slots must be even when bit FSDEF in the SAI_xFRCR register is set.

In AC'97 and SPDIF protocol (bit PRTCFG[1:0] = 10 or PRTCFG[1:0] = 01), the slot size is automatically set as defined in Section 51.4.11: AC'97 link controller .

51.4.8 SAI clock generator

Each audio subblock has its own clock generator that makes these two blocks completely independent. There is no difference in terms of functionality between these two clock generators.

When the audio block is configured as master, the clock generator provides the bit clock ( \( SCK\_x \) ) and the master clock ( \( MCLK\_x \) ) for external decoders. The frame synchronization ( \( FS\_x \) ) is also derived from the signals provided by the clock generator. The clock source for the SAI clock generator ( \( sai\_x\_ker\_ck \) ) is delivered by the product clock controller (RCC).

When the audio block is defined as slave, the clock generator is OFF. The value of NOMCK, MCKDIV and OSR bits are ignored. In addition, \( MCLK\_x \) I/O pin is released and can be used as a general purpose I/O.

The bit clock strobing edge of ( \( SCK\_x \) ) can be configured through CKSTR bit in the SAI_xCR1 register. This bit is functional in master and slave mode.

Figure 652 illustrates the architecture of the audio block clock generator.

Figure 652. Audio block clock generator overview

Figure 652: Audio block clock generator overview. The diagram shows the internal architecture of the SAI clock generator. A 'SAI clock generator x' block contains a 'Clock divider' that takes 'sai_x_ker_ck' as input and is controlled by 'MCKDIV[5:0]'. The output of the clock divider is connected to a multiplexer (MUX) for 'MCLK_x' and another MUX for 'SCK_x'. The 'MCLK_x' MUX has inputs '0' and '1', with 'NOMCK' controlling the selection. The 'SCK_x' MUX has inputs from a '÷2' divider and a '÷ 256 / FRL+1' divider, controlled by 'OSR' and 'FRL[7:0]'. The '÷ 256 / FRL+1' divider is also controlled by 'FRL[7:0]'. Below the clock generator is an 'Audio Block x' which contains a '÷ (FRL+1)' block controlled by 'FRL[7:0]', outputting 'FS_x'. A note at the bottom states: '[0]: FRL+1 must be a power of 2 when NOMCK = 0'. The diagram is labeled 'MSv35466V4'.
Figure 652: Audio block clock generator overview. The diagram shows the internal architecture of the SAI clock generator. A 'SAI clock generator x' block contains a 'Clock divider' that takes 'sai_x_ker_ck' as input and is controlled by 'MCKDIV[5:0]'. The output of the clock divider is connected to a multiplexer (MUX) for 'MCLK_x' and another MUX for 'SCK_x'. The 'MCLK_x' MUX has inputs '0' and '1', with 'NOMCK' controlling the selection. The 'SCK_x' MUX has inputs from a '÷2' divider and a '÷ 256 / FRL+1' divider, controlled by 'OSR' and 'FRL[7:0]'. The '÷ 256 / FRL+1' divider is also controlled by 'FRL[7:0]'. Below the clock generator is an 'Audio Block x' which contains a '÷ (FRL+1)' block controlled by 'FRL[7:0]', outputting 'FS_x'. A note at the bottom states: '[0]: FRL+1 must be a power of 2 when NOMCK = 0'. The diagram is labeled 'MSv35466V4'.

The NOMCK bit of the SAI_xCR1 register is used to define whether the master clock is generated or not.

When the SAI is used in master mode, the clock generator configuration differs depending on whether a master clock ( \( MCLK\_x \) ) needs to be provided or not.

If NOMCK is set to 1, the master clock is not generated, and the user has more flexibility to select the frame length and frame synchronization frequency. In addition, \( MCLK\_x \) signal is driven Low if this pin is configured as the SAI pin in GPIO peripherals. MCKDIV can still be used to adjust the \( SCK\_x \) clock to the required frequency.

If NOMCK is set to 0, the master clock is generated, and can be used as reference clock for external decoders. In this case, the frequency ratio between the frame synchronization and the master clock is fixed to 512 or 256, and the frame length must be a power of 2. More details are given hereafter.

Clock generator programming with MCLK (NOMCK = 0)

In that case, MCLK x frequency will be:

\[ F_{\text{MCLK\_x}} = 256 \times F_{\text{FS\_x}} \text{ if OSR=0} \]

\[ F_{\text{MCLK\_x}} = 512 \times F_{\text{FS\_x}} \text{ if OSR=1} \]

When MCKDIV is different from 0, MCLK x frequency is given by the equation below:

\[ F_{\text{MCLK\_x}} = \frac{F_{\text{sai\_x\_ker\_ck}}}{\text{MCKDIV}} \]

The frame synchronization frequency is given by:

\[ F_{\text{FS\_x}} = \frac{F_{\text{sai\_x\_ker\_ck}}}{\text{MCKDIV} \times (\text{OSR} + 1) \times 256} \]

The frequency of the bit clock (SCK x ) is given by the following expression:

\[ F_{\text{SCK\_x}} = \frac{F_{\text{MCLK\_x}} \times (\text{FRL} + 1)}{(\text{OSR} + 1) \times 256} \]

Note: If NOMCK = 0, (FRL+1) must be a power of two. In addition (FRL+1) must be between 8 and 256 (see Section : FS signal role ).

When MCKDIV division ratio is odd, the duty cycle of MCLK will not be 50%. The bit clock signal (SCK x ) can also have a duty cycle different from 50% if MCKDIV is odd, and if OSR is equal to 0, and if (FRL+1) = 2 8 .

It is recommended to configure MCKDIV to an even or big values (higher than 10).

Note that MCKDIV = 0 gives the same result as MCKDIV = 1.

Clock generator programming without MCLK (NOMCK = 1)

When MCKDIV is different from 0, SCK x frequency is given in the equation below:

\[ F_{\text{SCK\_x}} = \frac{F_{\text{sai\_x\_ker\_ck}}}{\text{MCKDIV}} \]

The frequency of the frame synchronization (FS x ) is given by the following equation:

\[ F_{\text{FS\_x}} = \frac{F_{\text{sai\_x\_ker\_ck}}}{(\text{FRL} + 1) \times \text{MCKDIV}} \]

Note: When NOMCK = 0, (FRL+1) can take any values from 8 to 256.

Note that MCKDIV = 0 gives the same result as MCKDIV = 1.

Clock generator programming examples

Table 427 shows some programming examples for 48, 96 and 192 kHz.

Table 427. Clock generator programming examples

Input
sai_x_ker_ck
clock frequency
MCLKF MCLK / F FSFRL (1)OSRNOMCKMCKDIV[5:0]Audio Sampling
frequency (F FS )
98.304 MHzY5122 N -1100 or 1192 kHz
5122 N -110296 kHz
5122 N -110448 kHz
2562 N -1002192 kHz
2562 N -100496 kHz
2562 N -100848 kHz
N-63-18192 kHz
-63-11696 kHz
-63-13248 kHz

1. N is an integer value between 3 and 8.

51.4.9 Internal FIFOs

Each audio block in the SAI has its own FIFO. Depending if the block is defined to be a transmitter or a receiver, the FIFO can be written or read, respectively. There is therefore only one FIFO request linked to FREQ bit in the SAI_xSR register.

An interrupt is generated if FREQIE bit is enabled in the SAI_xIM register. This depends on:

Interrupt generation in transmitter mode

The interrupt generation depends on the FIFO configuration in transmitter mode:

SAI_xSR register) if less than half of the FIFO contains data (FLVL[2:0] bits in SAI_xSR are less than 011b). This Interrupt (FREQ bit in SAI_xSR register) is cleared by hardware when at least half of the FIFO contains data (FLVL[2:0] bits in SAI_xSR are higher or equal to 011b).

Interrupt generation in reception mode

The interrupt generation depends on the FIFO configuration in reception mode:

Like interrupt generation, the SAI can use the DMA if DMAEN bit in the SAI_xCR1 register is set. The FREQ bit assertion mechanism is the same as the interrupt generation mechanism described above for FREQIE.

Each FIFO is an 8-word FIFO. Each read or write operation from/to the FIFO targets one word FIFO location whatever the access size. Each FIFO word contains one audio slot. FIFO pointers are incremented by one word after each access to the SAI_xDR register.

Data must be right aligned when it is written in the SAI_xDR.

Data received are right aligned in the SAI_xDR.

The FIFO pointers can be reinitialized when the SAI is disabled by setting bit FFLUSH in the SAI_xCR2 register. If FFLUSH is set when the SAI is enabled the data present in the FIFO are lost automatically.

51.4.10 PDM interface

The PDM (Pulse Density Modulation) interface is provided in order to support digital microphones. Up to 4 digital microphone pairs can be connected in parallel. Depending on product implementation, less microphones can be supported (refer to Section 51.3: SAI implementation ).

Figure 653 shows a typical connection of a digital microphone pair via a PDM interface. Both microphones share the same bitstream clock and data line. Thanks to a configuration pin (LR), a microphone can provide valid data on SAI_CK[m] rising edge while the other provides valid data on SAI_CK[m] falling edge (m being the number of clock lines).

Figure 653. PDM typical connection and timing

Figure 653: PDM typical connection and timing diagram. The top part shows a block diagram of the SAI_A subblock connected to a PDM interface (PDM_IF). The PDM_IF is connected to two digital microphones, MpL and MpR, via SAI_Dn (data line) and SAI_CKm (bitstream clock line). The microphones are connected to Vcc and GND via LR pins. The bottom part shows a timing diagram for SAI_Dn and SAI_CKm. SAI_CKm is a periodic clock signal. SAI_Dn is a data signal that changes state on the rising and falling edges of SAI_CKm. The data is sampled by the microphones: MpL samples on the rising edge and MpR samples on the falling edge. The data is then processed by the SAI_A subblock.
Figure 653: PDM typical connection and timing diagram. The top part shows a block diagram of the SAI_A subblock connected to a PDM interface (PDM_IF). The PDM_IF is connected to two digital microphones, MpL and MpR, via SAI_Dn (data line) and SAI_CKm (bitstream clock line). The microphones are connected to Vcc and GND via LR pins. The bottom part shows a timing diagram for SAI_Dn and SAI_CKm. SAI_CKm is a periodic clock signal. SAI_Dn is a data signal that changes state on the rising and falling edges of SAI_CKm. The data is sampled by the microphones: MpL samples on the rising edge and MpR samples on the falling edge. The data is then processed by the SAI_A subblock.

1. n refers to the number of data lines and p to the number of microphone pairs.

The PDM function is intended to be used in conjunction with SAI_A subblock configured in TDM master mode. It cannot be used with SAI_B subblock. The PDM interface uses the timing signals provided by the TDM interface of SAI_A and adapts them to generate a bitstream clock (SAI_CK[m]).

The data processing sequence into the PDM is the following:

  1. 1. The PDM interface builds the bitstream clock from the bit clock received from the TDM interface of SAI_A.
  2. 2. The bitstream data received from the microphones (SAI_D[n]) are de-interleaved and go through a 7-bit delay line in order to fine-tune the delay of each microphone with the accuracy of the bitstream clock.
  3. 3. The shift registers translate each serial bitstream into bytes.
  4. 4. The last operation consists in shifting-out the resulting bytes to SAI_A via the serial data line of the TDM interface.

Figure 654 hereafter shows the block diagram of PDM interface, with a detailed view of a de-interleaver.

Note: The PDM interface does not embed the decimation filter required to build-up the PCM audio samples from the bitstream. It is up to the application software to perform this operation.

Figure 654. Detailed PDM interface block diagram

Detailed PDM interface block diagram showing the internal architecture of the PDM interface. The main block diagram shows the PDM_IF block connected to SAI_D1(2) through SAI_D4(2) via De-Interleaver1 through De-Interleaver4. The PDM_IF block contains a LatchReg (8-bit) and a Control Logic block. The Control Logic block is connected to saia_sd_in, saia_fs_out, and saia_sck_out. The PDM_IF block is also connected to the SAI register interface, which includes PDMEN, MICNBR, DLYM[4:1]L, DLYM[4:1]R, and CKEN[4:1] registers. A detailed view of a De-Interleaver n block shows it consists of a shift register, a delay line, and a control logic block, with inputs DLYMpL, SAI_D[n], and DLYMpR.
Detailed PDM interface block diagram showing the internal architecture of the PDM interface. The main block diagram shows the PDM_IF block connected to SAI_D1(2) through SAI_D4(2) via De-Interleaver1 through De-Interleaver4. The PDM_IF block contains a LatchReg (8-bit) and a Control Logic block. The Control Logic block is connected to saia_sd_in, saia_fs_out, and saia_sck_out. The PDM_IF block is also connected to the SAI register interface, which includes PDMEN, MICNBR, DLYM[4:1]L, DLYM[4:1]R, and CKEN[4:1] registers. A detailed view of a De-Interleaver n block shows it consists of a shift register, a delay line, and a control logic block, with inputs DLYMpL, SAI_D[n], and DLYMpR.
  1. 1. n refers to the number of data lines and p to the number of microphone pairs.
  2. 2. These signals might not be available in all SAI instances. Refer to Section 51.3: SAI implementation for details.

The PDM interface can be enabled through the PDMEN bit in SAI_PDMCR register. However the PDM interface must be enabled prior to enabling SAI_A block.

To reduce the memory footprint, the user can select the amount of microphones the application needs. This can be done through MICNBR[1:0] bits. It is possible to select

between 2,4,6 or 8 microphones. For example, if the application is using 3 microphones, the user has to select 4.

Enabling the PDM interface

To enable the PDM interface, follow the sequence below:

  1. 1. Configure SAI_A in TDM master mode (see Table 428 ).
  2. 2. Configure the PDM interface as follows:
    1. a) Define the number of digital microphones via MICNBR.
    2. b) Enable the bitstream clock needed in the application by setting the corresponding bits on CKEN to 1.
  3. 3. Enable the PDM interface, via PDMEN bit.
  4. 4. Enable the SAI_A.

Note: Once the PDM interface and SAI_A are enabled, the first 2 TDMA frames received on SAI_ADR are invalid and must be dropped.

Start-up sequence

Figure 655 shows the start-up sequence: Once the PDM interface is enabled, it waits for the frame synchronization event prior to starting the acquisition of the microphone samples. After 8 SAI_CK clock periods, a data byte coming from each microphone is available, and transferred to the SAI, via the TDM interface.

Figure 655. Start-up sequence

Timing diagram showing the start-up sequence for the SAI interface. It displays the relationship between Pdm_ck, saia_clk_out, saia_sd_in, saia_fs_out, PDMEN, and SAIEN signals over time. The diagram is divided into four phases: 1. Wait for frame sync. (PDMEN and SAIEN are high, saia_fs_out is low). 2. Frame sync is detected, waiting for receiving 8 bits from each microphone. (Pdm_ck and saia_clk_out are high frequency square waves, saia_sd_in is 'Don't care'). 3. Transmission to SAI of the data received on frame N, and acquisition of the next 8 bits from each microphone. No re-sync with the frame sync. (saia_sd_in shows 8 bits: M1L-x, M1R-x, M2L-x, M2R-x). 4. Transmission to SAI of the data received on frame N+1, and acquisition of the next 8 bits from each microphone. No re-sync with the frame sync. (saia_sd_in shows 8 bits: M1L-y, M1R-y, M2L-y, M2R-y).

The diagram illustrates the start-up sequence for the SAI interface. It shows the following signals and their states over time:

The sequence is divided into four phases:

  1. Wait for frame sync. : The initial phase where the system waits for the first frame synchronization event.
  2. Frame sync is detected, waiting for receiving 8 bits from each microphone : The first phase after the initial sync, corresponding to frame N.
  3. Transmission to SAI of the data received on frame N, and acquisition of the next 8 bits from each microphone. No re-sync with the frame sync : The second phase, corresponding to frame N+1.
  4. Transmission to SAI of the data received on frame N+1, and acquisition of the next 8 bits from each microphone. No re-sync with the frame sync : The third phase, corresponding to frame N+2.

MSV35469V3

Timing diagram showing the start-up sequence for the SAI interface. It displays the relationship between Pdm_ck, saia_clk_out, saia_sd_in, saia_fs_out, PDMEN, and SAIEN signals over time. The diagram is divided into four phases: 1. Wait for frame sync. (PDMEN and SAIEN are high, saia_fs_out is low). 2. Frame sync is detected, waiting for receiving 8 bits from each microphone. (Pdm_ck and saia_clk_out are high frequency square waves, saia_sd_in is 'Don't care'). 3. Transmission to SAI of the data received on frame N, and acquisition of the next 8 bits from each microphone. No re-sync with the frame sync. (saia_sd_in shows 8 bits: M1L-x, M1R-x, M2L-x, M2R-x). 4. Transmission to SAI of the data received on frame N+1, and acquisition of the next 8 bits from each microphone. No re-sync with the frame sync. (saia_sd_in shows 8 bits: M1L-y, M1R-y, M2L-y, M2R-y).

SAI_ADR data format

The arrangement of the data coming from the microphone into the SAI_ADR register depends on the following parameters:

The slot width defines the amount of significant bits into each word available into the SAI_ADR.

When a slot width of 32 bits is selected, each data available into the SAI_ADR contains 32 useful bits. This reduces the amount of words stored into the memory. However the counterpart is that the software has to perform some operations to de-interleave the data of each microphone.

In the other hand, when the slot width is set to 8 bits, each data available into the SAI_ADR contain 8 useful bits. This increases the amount of words stored into the memory. However, it offers the advantage to avoid extra processing since each word contains information from one microphone.

SAI_ADR data format example

For an 8 microphone configuration, two consecutive words read from the SAI_ADR register contain a data byte from each microphone.

For a 4 microphones configuration, each word read from the SAI_ADR register contains a data byte from each microphone.

Figure 656. SAI_ADR format in TDM, 32-bit slot width

Diagram showing the SAI_ADR format in TDM with a 32-bit slot width for 8 and 4 microphone configurations.

The diagram illustrates the data format in the SAI_ADR register for two microphone configurations with a 32-bit slot width. Both configurations use LSBFIRST = 0.

8 Microphones configuration: This section shows two consecutive words, 'word 2n' and 'word 2n+1'. Each word is a 32-bit register (bits b31 to b0). The data is interleaved by microphone:

4 Microphones configuration: This section shows a single word, 'word n', which is a 32-bit register (bits b31 to b0). The data is interleaved by microphone:

MSV35470V1

Diagram showing the SAI_ADR format in TDM with a 32-bit slot width for 8 and 4 microphone configurations.

For an 8 microphone configuration, four consecutive words read from the SAI_ADR register contain a data byte from each microphone. Note that the 16-bit data of SAI_ADR are right aligned.

For 4 or 2 microphone configuration, the SAI behavior is similar to 8-microphone configurations. Up to 2 words of 16 bits are required to acquire a byte from 4 microphones and a single word for 2 microphones.

Figure 657. SAI_ADR format in TDM, 16-bit slot width

Diagram showing SAI_ADR format in TDM with 16-bit slot width for 8, 4, and 2 microphone configurations. It shows bit positions b31 to b0 and data slots for various words (4n, 4n+1, 4n+3, 2n, 2n+1) with 'zeros' padding and specific microphone data slots (e.g., M1L-1 to M1R-8).

The diagram illustrates the SAI_ADR register format for TDM with a 16-bit slot width. It is divided into three sections based on microphone configuration:

MSv35471V1

Diagram showing SAI_ADR format in TDM with 16-bit slot width for 8, 4, and 2 microphone configurations. It shows bit positions b31 to b0 and data slots for various words (4n, 4n+1, 4n+3, 2n, 2n+1) with 'zeros' padding and specific microphone data slots (e.g., M1L-1 to M1R-8).

Figure 658. SAI_ADR format in TDM, 8-bit slot width

Diagram showing SAI_ADR format in TDM with 8-bit slot width for 8, 4, and 2 microphone configurations. Each configuration shows word slots (word 8n, 8n+1, 8n+7 for 8 mics; word 4n, 4n+1, 4n+3 for 4 mics; word 2n, 2n+1 for 2 mics) with leading zeros and specific microphone data slots (M1L-1 to M1L-8, M1R-1 to M1R-8, M4R-1 to M4R-8, M2R-1 to M2R-8, M1L-1 to M1L-8, M1R-1 to M1R-8).

The diagram illustrates the SAI_ADR format in TDM with an 8-bit slot width for three microphone configurations:

MSV35472V1

Diagram showing SAI_ADR format in TDM with 8-bit slot width for 8, 4, and 2 microphone configurations. Each configuration shows word slots (word 8n, 8n+1, 8n+7 for 8 mics; word 4n, 4n+1, 4n+3 for 4 mics; word 2n, 2n+1 for 2 mics) with leading zeros and specific microphone data slots (M1L-1 to M1L-8, M1R-1 to M1R-8, M4R-1 to M4R-8, M2R-1 to M2R-8, M1L-1 to M1L-8, M1R-1 to M1R-8).

TDM configuration for PDM interface

SAI_A TDM interface is internally connected to the PDM interface to get the microphone samples. The user application must configure the PDM interface as shown in Table 428 to ensure a good connection with the PDM interface.

Table 428. TDM settings

Bit FieldsValuesComments
MODE0b01Mode must be MASTER receiver
PRTCFCG0b00Free protocol for TDM
DSXTo be adjusted according to the required data format, in accordance to the frame length and the number of slots (FRL and NBSLOT). See Table 429 .
LSBFIRSTXThis parameter can be used according to the wanted data format
CKSTR0Signal transitions occur on the rising edge of the SCK_A bit clock. Signals are stable on the falling edge of the bit clock.
MONO0Stereo mode
FRLXTo be adjusted according to the number of microphones (MICNBR). See Table 429 .
FSALL0Pulse width is one bit clock cycle
FSDEF0FS signal is a start of frame

Table 428. TDM settings (continued)

Bit FieldsValuesComments
FSPOL1FS is active High
FSOFF0FS is asserted on the first bit of slot 0
FBOFF0No offset on slot
SLOTSZ0Slot size = data size
NBSLOTXTo be adjusted according to the required data format, in accordance to the slot size, and the frame length (FRL and DS). See Table 429 .
SLOTENXTo be adjusted according to NBSLOT
NOMCK1No need to generate a master clock MCLK
MCKDIVXDepends on the frequency provided to sai_a_ker_ck input. This parameter must be adjusted to generate the proper bitstream clock frequency. See Table 429 .

Adjusting the bitstream clock rate

To properly program the SAI TDM interface, the user application must take into account the settings given in Table 428 , and follow the below sequence:

  1. 1. Adjust the bit clock frequency ( \( F_{SCK\_A} \) ) according to the required frequency for the PDM bitstream clock, using the following formula:

\[ F_{SCK\_A} = F_{PDM\_CK} \times (MICNBR + 1) \times 2 \]

MICNBR can be 0, 1, 2 or 3 (0 = 2 microphones., see Section 51.6.18 )

  1. 2. Set the frame length (FRL) using the following formula

\[ FRL = (16 \times (MICNBR + 1)) - 1 \]

  1. 3. Configure the slot size (DS) to a multiple of (FRL+1).
Table 429. TDM frame configuration examples (1)(2)
Microphone sampling rateNber of microphonesWanted SAI_CKn frequencybit clock (SCK_A) frequencyFrame sync. (FS_A) frequencyFRDSNBSLOTComments
48 kHzup to 83.072 MHz24.576 MHz384 kHz630b11112 slots of 32 bits per frame
3.072 MHz24.576 MHz384 kHz630b10034 slots of 16 bits per frame
3.072 MHz24.576 MHz384 kHz630b01078 slots of 8 bits per frame
up to 63.072 MHz18.432 MHz384 kHz470b11012 slots of 24 bits per frame
3.072 MHz18.432 MHz384 kHz470b10023 slots of 16 bits per frame
3.072 MHz18.432 MHz384 kHz470b01056 slots of 8 bits per frame
up to 43.072 MHz12.288 MHz384 kHz310b11101 slot of 32 bits per frame
3.072 MHz12.288 MHz384 kHz310b10012 slots of 16 bits per frame
3.072 MHz12.288 MHz384 kHz310b01034 slots of 8 bits per frame
up to 23.072 MHz6.144 MHz384 kHz150b10001 slots of 16 bits per frame
3.072 MHz6.144 MHz384 kHz150b01012 slots of 8 bits per frame
16 kHzup to 81.024 MHz8.192 MHz128 kHz630b11112 slots of 32 bits per frame
1.024 MHz8.192 MHz128 kHz630b10034 slots of 16 bits per frame
1.024 MHz8.192 MHz128 kHz630b01078 slots of 8 bits per frame
up to 61.024 MHz6.144 MHz128 kHz470b11012 slots of 24 bits per frame
1.024 MHz6.144 MHz128 kHz470b01056 slots of 8 bits per frame
up to 41.024 MHz4.096 MHz128 kHz310b11101 slot of 32 bits per frame
1.024 MHz4.096 MHz128 kHz310b10012 slots of 16 bits per frame
1.024 MHz4.096 MHz128 kHz310b01034 slots of 8 bits per frame
up to 21.024 MHz2.048 MHz128 kHz150b10001 slot of 16 bits per frame
1.024 MHz2.048 MHz128 kHz150b01012 slots of 8 bits per frame
  1. 1. Refer to Table 428: TDM settings for additional information on TDM configuration. The sai_a_ker_ck clock frequency provided to the SAI must be a multiple of the SCK_A frequency, and MCKDIV must be programmed accordingly.
  2. 2. The above sai_a_ker_ck frequencies are given as examples only. Refer to section Reset and clock controller (RCC) to check if they can be generated on the device.
  3. 3. The table above gives allowed settings for a decimation ratio of 64.

Adjusting the delay lines

When the PDM interface is enabled, the application can adjust on-the-fly the delay cells of each microphone input via SAI_PDMDLY register.

The new delays values become effective after two TDM frames.

The SAI is able to work as an AC'97 link controller. In this protocol:

To select this protocol, set PRTCFCFG[1:0] bits in the SAI_xCR1 register to 10. When AC'97 mode is selected, only data sizes of 16 or 20 bits can be used, otherwise the SAI behavior is not guaranteed.

The FS signal from the block defined as asynchronous is configured automatically as an output, since the AC'97 controller link drives the FS signal whatever the master or slave configuration.

Figure 659 shows an AC'97 audio frame structure.

Figure 659. AC'97 audio frame

Diagram of AC'97 audio frame structure showing 13 slots. Slot 1 is 16-bit wide, slots 2-13 are 20-bit wide. The diagram shows the FS signal and the data for SDI and SDO lines across the slots.

The diagram illustrates the AC'97 audio frame structure. It consists of 13 slots. Slot 1 is 16-bit wide, while slots 2 through 13 are 20-bit wide. The frame is divided into two main data paths: SDI (Serial Data Input) and SDO (Serial Data Output). Each slot contains a 'Tag' followed by specific data fields. The SDI path includes fields like CMD ADDR, CMD DATA, PCM LFRONT, PCM RFRONT, LINE1 DAC, PCM CENTER, PCM LSURR, PCM RSURR, PCM LFE, LINE2 DAC, HSET DAC, and IO CTRL. The SDO path includes fields like STATUS ADDR, STATUS DATA, PCM LEFT, PCM RIGHT, LINE1 ADC, PCM MIC, RSR VD, RSR VD, RSR LVD, LINE2 ADC, HSET, and IO STATUS. The FS (Frame Synchronization) signal is shown at the top, indicating the start of each frame.

SDITagCMD ADDRCMD DATAPCM LFRONTPCM RFRONTLINE1 DACPCM CENTERPCM LSURRPCM RSURRPCM LFELINE2 DACHSET DACIO CTRL
SDOTagSTATUS ADDRSTATUS DATAPCM LEFTPCM RIGHTLINE1 ADCPCM MICRSR VDRSR VDRSR LVDLINE2 ADCHSETIO STATUS

MS192343V1

Diagram of AC'97 audio frame structure showing 13 slots. Slot 1 is 16-bit wide, slots 2-13 are 20-bit wide. The diagram shows the FS signal and the data for SDI and SDO lines across the slots.

Note: In AC'97 protocol, bit 2 of the tag is reserved (always 0), so bit 2 of the TAG is forced to 0 level whatever the value written in the SAI FIFO.

For more details about tag representation, refer to the AC'97 protocol standard.

One SAI can be used to target an AC'97 point-to-point communication.

Using two SAIs (for devices featuring two embedded SAIs) enables the control of three external AC'97 decoders as illustrated in Figure 660.

In SAI1, the audio block A must be declared as asynchronous master transmitter whereas the audio block B is defined to be slave receiver and internally synchronous to the audio block A.

The SAI2 is configured for audio block A and B both synchronous with the external SAI1 in slave receiver mode.

Figure 660. Example of typical AC'97 configuration on devices featuring at least 2 embedded SAIs (three external AC'97 decoders)

Figure 660: Example of typical AC'97 configuration on devices featuring at least 2 embedded SAIs (three external AC'97 decoders).

The diagram illustrates a typical AC'97 configuration using two embedded Serial Audio Interfaces (SAI1 and SAI2) to connect with three external AC'97 decoders. The system is based on a microcontroller featuring the AC'97 Link Controller.

MSv31173V1

Figure 660: Example of typical AC'97 configuration on devices featuring at least 2 embedded SAIs (three external AC'97 decoders).

In receiver mode, the SAI acting as an AC'97 link controller requires no FIFO request and so no data storage in the FIFO when the Codec ready bit in the slot 0 is decoded low. If bit CNRDYIE is enabled in the SAI_xIM register, flag CNRDY is set in the SAI_xSR register and an interrupt is generated. This flag is dedicated to the AC'97 protocol.

Clock generator programming in AC'97 mode

In AC'97 mode, the frame length is fixed at 256 bits, and its frequency must be set to 48 kHz. The formulas given in Section 51.4.8: SAI clock generator must be used with \( FRL = 255 \) , in order to generate the proper frame rate ( \( F_{FS\_x} \) ).

51.4.12 SPDIF output

The SPDIF interface is available in transmitter mode only. It supports the audio IEC60958.

To select SPDIF mode, set PRTCFCG[1:0] bit to 01 in the SAI_xCR1 register.

For SPDIF protocol:

Figure 661. SPDIF format

Figure 661. SPDIF format diagram showing the structure of a SPDIF block and frame.

The diagram illustrates the SPDIF format. At the top, a horizontal timeline shows 'Block N' and 'Block N+1'. 'Block N' contains 'Frame 0', 'Frame 1', and 'Frame 191'. 'Block N+1' contains 'Frame 0'. Each frame is divided into two sub-frames: 'Sub-frame' (left) and 'Sub-frame' (right). Each sub-frame contains 'Channel A' and 'Channel B' data, preceded by a 'B' (Block) or 'M' (Master) bit. Below this, a detailed view of a sub-frame is shown, starting with 'SOPD' (Start of Packet Data) followed by 'D0 D1 D2 D3 D4' and a break, then 'D20 D21 D22 D23', 'VP' (Valid Period), 'U' (User), and 'CS' (Control). Below this, a label 'SOPD B,M,W' is shown, followed by '24-bit data' and 'Status bit'. The entire sub-frame structure is labeled 'Channel' at the bottom. The diagram is labeled 'MS30042V1' in the bottom right corner.

Figure 661. SPDIF format diagram showing the structure of a SPDIF block and frame.

A SPDIF block contains 192 frames. Each frame is composed of two 32-bit sub-frames, generally one for the left channel and one for the right channel. Each sub-frame is composed of a SOPD pattern (4-bit) to specify if the sub-frame is the start of a block (and so is identifying a channel A) or if it is identifying a channel A somewhere in the block, or if it is referring to channel B (see Table 430 ). The next 28 bits of channel information are composed of 24 bits data + 4 status bits.

Table 430. SOPD pattern

SOPDPreamble codingDescription
last bit is 0last bit is 1
B1110100000010111Channel A data at the start of block
W1110010000011011Channel B data somewhere in the block
M1110001000011101Channel A data

The data stored in SAI_xDR has to be filled as follows:

If the data size is 20 bits, then data must be mapped on SAI_xDR[23:4].

If the data size is 16 bits, then data must be mapped on SAI_xDR[23:8].

SAI_xDR[23] always represents the MSB.

Figure 662. SAI_xDR register ordering

Diagram of SAI_xDR register ordering showing a 27-bit register (bits 26 to 0). Bits 26, 25, and 24 are labeled CS, U, and V respectively, and are grouped as 'Status bits'. Bits 23 down to 0 are labeled D23 through D0 and are grouped as 'Data[23:0]'. The diagram shows the register layout from bit 26 on the left to bit 0 on the right.
Diagram of SAI_xDR register ordering showing a 27-bit register (bits 26 to 0). Bits 26, 25, and 24 are labeled CS, U, and V respectively, and are grouped as 'Status bits'. Bits 23 down to 0 are labeled D23 through D0 and are grouped as 'Data[23:0]'. The diagram shows the register layout from bit 26 on the left to bit 0 on the right.

Note: The transfer is performed always with LSB first.

The SAI first sends the adequate preamble for each sub-frame in a block. The SAI_xDR is then sent on the SD line (manchester coded). The SAI ends the sub-frame by transferring the Parity bit calculated as described in Table 431 .

Table 431. Parity bit calculation

SAI_xDR[26:0]Parity bit P value transferred
odd number of 00
odd number of 11

The underrun is the only error flag available in the SAI_xSR register for SPDIF mode since the SAI can only operate in transmitter mode. As a result, the following sequence must be

executed to recover from an underrun error detected via the underrun interrupt or the underrun status bit:

  1. 1. Disable the DMA stream (via the DMA peripheral) if the DMA is used.
  2. 2. Disable the SAI and check that the peripheral is physically disabled by polling the SAIEN bit in SAI_xCR1 register.
  3. 3. Clear the COVRUNDR flag in the SAI_xCLRFR register.
  4. 4. Flush the FIFO by setting the FFLUSH bit in SAI_xCR2.

The software needs to point to the address of the future data corresponding to a start of new block (data for preamble B). If the DMA is used, the DMA source base address pointer must be updated accordingly.

  1. 5. Enable again the DMA stream (DMA peripheral) if the DMA used to manage data transfers according to the new source base address.
  2. 6. Enable again the SAI by setting SAIEN bit in SAI_xCR1 register.

Clock generator programming in SPDIF generator mode

For the SPDIF generator, the SAI provides a bit clock twice faster as the symbol-rate. The table hereafter shows usual examples of symbol rates with respect to the audio sampling rate.

Table 432. Audio sampling frequency versus symbol rates

Audio sampling frequencies (F S )Symbol-rate
44.1 kHz2.8224 MHz
48 kHz3.072 MHz
96 kHz6.144 MHz
192 kHz12.288 MHz

More generally, the relationship between the audio sampling frequency (F S ) and the bit clock rate (F SCK_x ) is given by the formula:

\[ F_S = \frac{F_{SCK\_x}}{128} \]

The bit clock rate is obtained as follows:

\[ F_{SCK\_x} = \frac{F_{sai\_x\_ker\_ck}}{MCKDIV} \]

Note: The above formulas are valid only if NOMCK is set to 1 in SAI_ACR1 register.

51.4.13 Specific features

The SAI interface embeds specific features which can be useful depending on the audio protocol selected. These functions are accessible through specific bits of the SAI_xCR2 register.

Mute mode

The mute mode can be used when the audio subblock is a transmitter or a receiver.

Audio subblock in transmission mode

In transmitter mode, the mute mode can be selected at anytime. The mute mode is active for entire audio frames. The MUTE bit in the SAI_xCR2 register enables the mute mode when it is set during an ongoing frame.

The mute mode bit is strobed only at the end of the frame. If it is set at this time, the mute mode is active at the beginning of the new audio frame and for a complete frame, until the next end of frame. The bit is then strobed to determine if the next frame is still a mute frame.

If the number of slots set through NBSLOT[3:0] bits in the SAI_xSLOTR register is lower than or equal to 2, it is possible to specify if the value sent in mute mode is 0 or if it is the last value of each slot. The selection is done via MUTEVAL bit in the SAI_xCR2 register.

If the number of slots set in NBSLOT[3:0] bits in the SAI_xSLOTR register is greater than 2, MUTEVAL bit in the SAI_xCR2 is meaningless as 0 values are sent on each bit on each slot.

The FIFO pointers are still incremented in mute mode. This means that data present in the FIFO and for which the mute mode is requested are discarded.

Audio subblock in reception mode

In reception mode, it is possible to detect a mute mode sent from the external transmitter when all the declared and valid slots of the audio frame receive 0 for a given consecutive number of audio frames (MUTECNT[5:0] bits in the SAI_xCR2 register).

When the number of MUTE frames is detected, the MUTEDET flag in the SAI_xSR register is set and an interrupt can be generated if MUTEDETIE bit is set in SAI_xCR2.

The mute frame counter is cleared when the audio subblock is disabled or when a valid slot receives at least one data in an audio frame. The interrupt is generated just once, when the counter reaches the value specified in MUTECNT[5:0] bits. The interrupt event is then reinitialized when the counter is cleared.

Note: The mute mode is not available for SPDIF audio blocks.

Mono/stereo mode

In transmitter mode, the mono mode can be addressed, without any data preprocessing in memory, assuming the number of slots is equal to 2 (NBSLOT[3:0] = 0001 in SAI_xSLOTR). In this case, the access time to and from the FIFO is reduced by 2 since the data for slot 0 is duplicated into data slot 1.

To enable the mono mode,

  1. 1. Set MONO bit to 1 in the SAI_xCR1 register.
  2. 2. Set NBSLOT to 1 and SLOTEN to 3 in SAI_xSLOTR.

In reception mode, the MONO bit can be set and is meaningful only if the number of slots is equal to 2 as in transmitter mode. When it is set, only slot 0 data are stored in the FIFO. The data belonging to slot 1 are discarded since, in this case, it is supposed to be the same as the previous slot. If the data flow in reception mode is a real stereo audio flow with a distinct and different left and right data, the MONO bit is meaningless. The conversion from the output stereo file to the equivalent mono file is done by software.

Companding mode

Telecommunication applications can require to process the data to be transmitted or received using a data companding algorithm.

Depending on the COMP[1:0] bits in the SAI_xCR2 register (used only when Free protocol mode is selected), the application software can choose to process or not the data before sending it on SD serial output line (compression) or to expand the data after the reception on SD serial input line (expansion) as illustrated in Figure 663 . The two companding modes supported are the \( \mu \) -Law and the A-Law log which are a part of the CCITT G.711 recommendation.

The companding standard used in the United States and Japan is the \( \mu \) -Law. It supports 14 bits of dynamic range (COMP[1:0] = 10 in the SAI_xCR2 register).

The European companding standard is A-Law and supports 13 bits of dynamic range (COMP[1:0] = 11 in the SAI_xCR2 register).

Both \( \mu \) -Law or A-Law companding standard can be computed based on 1's complement or 2's complement representation depending on the CPL bit setting in the SAI_xCR2 register.

In \( \mu \) -Law and A-Law standards, data are coded as 8 bits with MSB alignment. Companded data are always 8-bit wide. For this reason, DS[2:0] bits in the SAI_xCR1 register are forced to 010 when the SAI audio block is enabled (SAIEN bit = 1 in the SAI_xCR1 register) and when one of these two companding modes selected through the COMP[1:0] bits.

If no companding processing is required, COMP[1:0] bits must be kept clear.

Figure 663. Data companding hardware in an audio block in the SAI

Figure 663: Data companding hardware in an audio block in the SAI. The diagram shows two modes: Receiver mode (bit MODE[0] = 1 in SAI_xCR1) and Transmitter mode (bit MODE[0] = 0 in SAI_xCR1). In Receiver mode, data from the SD line enters a 32-bit shift register, then an 'expand' block, and finally a multiplexer controlled by COMP[1] to select between the expanded data and the raw shift register output, which is then stored in a FIFO. In Transmitter mode, data from a FIFO is processed by a 'compress' block and then a multiplexer controlled by COMP[1] to select between the compressed data and the raw FIFO output, which is then sent to a 32-bit shift register and out to the SD line. MSV19244V1 is noted in the bottom right.
Figure 663: Data companding hardware in an audio block in the SAI. The diagram shows two modes: Receiver mode (bit MODE[0] = 1 in SAI_xCR1) and Transmitter mode (bit MODE[0] = 0 in SAI_xCR1). In Receiver mode, data from the SD line enters a 32-bit shift register, then an 'expand' block, and finally a multiplexer controlled by COMP[1] to select between the expanded data and the raw shift register output, which is then stored in a FIFO. In Transmitter mode, data from a FIFO is processed by a 'compress' block and then a multiplexer controlled by COMP[1] to select between the compressed data and the raw FIFO output, which is then sent to a 32-bit shift register and out to the SD line. MSV19244V1 is noted in the bottom right.

1. Not applicable when AC'97 or SPDIF are selected.

Expansion and compression mode are automatically selected through the SAI_xCR2:

Output data line management on an inactive slot

In transmitter mode, it is possible to choose the behavior of the SD line output when an inactive slot is sent on the data line (via TRIS bit).

It is important to note that the two transmitters cannot attempt to drive the same SD output pin simultaneously, which may result in a short circuit. To ensure a gap between transmissions, if the data is lower than 32-bit, the data can be extended to 32-bit by setting bit SLOTSZ[1:0] = 10 in the SAI_xSLOTR register. The SD output pin is then tri-stated at the end of the LSB of the active slot (during the padding to 0 phase to extend the data to 32-bit) if the following slot is declared inactive.

In addition, if the number of slots multiplied by the slot size is lower than the frame length, the SD output line is tri-stated when the padding to 0 is done to complete the audio frame.

Figure 664 illustrates these behaviors.

Figure 664. Tristate strategy on SD output line on an inactive slot

Timing diagram showing tristate strategy on SD output line for two cases: frame length = number of slots and frame length > number of slots. It includes waveforms for sck and SD (output) across multiple slots (Slot 0 ON, Slot 1 OFF, Slot 2 OFF, Slot 3 ON, etc.).

The diagram illustrates the tristate strategy on the SD output line for two different frame configurations. In both cases, the SCK signal is a periodic square wave. The SD (output) line is shown for multiple slots, with 'ON' slots active and 'OFF' slots inactive (tristated).

Top Section: Bit TRIS = 1 in the SAI_xCR1 and frame length = number of slots

Bottom Section: Bit TRIS = 1 in the SAI_xCR1 and frame length > number of slots

MSV192345V1

Timing diagram showing tristate strategy on SD output line for two cases: frame length = number of slots and frame length > number of slots. It includes waveforms for sck and SD (output) across multiple slots (Slot 0 ON, Slot 1 OFF, Slot 2 OFF, Slot 3 ON, etc.).

When the selected audio protocol uses the FS signal as a start of frame and a channel side identification (bit FSDEF = 1 in the SAI_xFRCR register), the tristate mode is managed according to Figure 665 (where bit TRIS in the SAI_xCR1 register = 1, and FSDEF=1, and half frame length is higher than number of slots/2, and NBSLOT=6).

Figure 665. Tristate on output data line in a protocol like I2S

Timing diagram showing SAI output data lines (SD) and slot states (Slot 0 ON, Slot 1 OFF, Slot 2 ON, etc.) over time. The diagram illustrates two cases: Slot size = data size and Slot size > data size. In both cases, the SD (output) line is shown as a series of data packets (Data 0, Data 1, Data 2, Data 3, Data m) corresponding to the active slots. The SCK line is shown as a continuous clock signal. The diagram is labeled MSv192346V1.

The diagram illustrates the timing of the SAI output data line (SD) and slot states over time. It is divided into two main sections based on the relationship between slot size and data size.

The SCK line is shown as a continuous clock signal at the top. The diagram is labeled MSv192346V1 in the bottom right corner.

Timing diagram showing SAI output data lines (SD) and slot states (Slot 0 ON, Slot 1 OFF, Slot 2 ON, etc.) over time. The diagram illustrates two cases: Slot size = data size and Slot size > data size. In both cases, the SD (output) line is shown as a series of data packets (Data 0, Data 1, Data 2, Data 3, Data m) corresponding to the active slots. The SCK line is shown as a continuous clock signal. The diagram is labeled MSv192346V1.

If the TRIS bit in the SAI_xCR2 register is cleared, all the High impedance states on the SD output line on Figure 664 and Figure 665 are replaced by a drive with a value of 0.

51.4.14 Error flags

The SAI implements the following error flags:

FIFO overrun/underrun (OVRUDR)

The FIFO overrun/underrun bit is called OVRUDR in the SAI_xSR register.

The overrun or underrun errors share the same bit since an audio block can be either receiver or transmitter and each audio block in a given SAI has its own SAI_xSR register.

Overrun

When the audio block is configured as receiver, an overrun condition may appear if data are received in an audio frame when the FIFO is full and not able to store the received data. In this case, the received data are lost, the flag OVRUDR in the SAI_xSR register is set and an interrupt is generated if OVRUDRIE bit is set in the SAI_xIM register. The slot number, from which the overrun occurs, is stored internally. No more data are stored into the FIFO until it becomes free to store new data. When the FIFO has at least one data free, the SAI audio block receiver stores new data (from new audio frame) from the slot number which was stored internally when the overrun condition was detected. This avoids data slot de-alignment in the destination memory (refer to Figure 666).

The OVRUDR flag is cleared when COVRUDR bit is set in the SAI_xCLRFR register.

Figure 666. Overrun detection error

Timing diagram for Figure 666 showing an overrun detection error. It displays the sck (serial clock), data (Slot 0 ON, Slot 1 ON, Slot 1 ON, Slot 0 ON, Slot 1 ON, ON, Slot n ON), FIFO full, and OVRUDR signals. The diagram shows that when the FIFO is full, new data for Slot 1 is discarded and later stored again, triggering the OVRUDR flag.

Example: FIFO overrun on Slot 1

The diagram illustrates an overrun condition. The 'sck' signal is a periodic square wave. The 'data' line shows a sequence of slots: Slot 0 ON, Slot 1 ON, Slot 1 ON (marked with a slash), Slot 0 ON, Slot 1 ON, ON (marked with a slash), and Slot n ON. The 'FIFO full' signal goes high when the FIFO is full. The 'OVRUDR' signal goes high when the overrun detection bit is set (COVRUDR = 1). The text 'Received data discarded' points to the discarded data, and 'Data stored again in FIFO' points to the data that is later stored.

MSV192348V2

Timing diagram for Figure 666 showing an overrun detection error. It displays the sck (serial clock), data (Slot 0 ON, Slot 1 ON, Slot 1 ON, Slot 0 ON, Slot 1 ON, ON, Slot n ON), FIFO full, and OVRUDR signals. The diagram shows that when the FIFO is full, new data for Slot 1 is discarded and later stored again, triggering the OVRUDR flag.

Underrun

An underrun may occur when the audio block in the SAI is a transmitter and the FIFO is empty when data need to be transmitted. If an underrun is detected, the slot number for which the event occurs is stored and MUTE value (00) is sent until the FIFO is ready to transmit the data corresponding to the slot for which the underrun was detected (refer to Figure 667). This avoids desynchronization between the memory pointer and the slot in the audio frame.

The underrun event sets the OVRUDR flag in the SAI_xSR register and an interrupt is generated if the OVRUDRIE bit is set in the SAI_xIM register. To clear this flag, set COVRUDR bit in the SAI_xCLRFR register.

The underrun event can occur when the audio subblock is configured as master or slave.

Figure 667. FIFO underrun event

Timing diagram for Figure 667 showing a FIFO underrun event. It displays the sck (serial clock), data (SD output) with MUTE values, FIFO empty, and OVRUND signals. The diagram shows that when the FIFO is empty, MUTE values are sent until data is ready, triggering the OVRUND flag.

Example: FIFO underrun on Slot 1

The diagram illustrates an underrun condition. The 'sck' signal is a periodic square wave. The 'data' line (SD output) shows a sequence of slots: Slot 0 ON, MUTE, MUTE (marked with a slash), MUTE, Slot 1 ON, ... ON (marked with a slash), and Slot 0 ON. The 'FIFO empty' signal goes high when the FIFO is empty. The 'OVRUND' signal goes high when the underrun detection bit is set (OVRUND=1). The text 'Slot size = data size' indicates the duration of each slot.

MSV192347V2

Timing diagram for Figure 667 showing a FIFO underrun event. It displays the sck (serial clock), data (SD output) with MUTE values, FIFO empty, and OVRUND signals. The diagram shows that when the FIFO is empty, MUTE values are sent until data is ready, triggering the OVRUND flag.

Anticipated frame synchronization detection (AFSDET)

The AFSDET flag is used only in slave mode. It is never asserted in master mode. It indicates that a frame synchronization (FS) has been detected earlier than expected since the frame length, the frame polarity, the frame offset are defined and known.

Anticipated frame detection sets the AFSDET flag in the SAI_xSR register.

This detection has no effect on the current audio frame which is not sensitive to the anticipated FS. This means that “parasitic” events on signal FS are flagged without any perturbation of the current audio frame.

An interrupt is generated if the AFSDETIE bit is set in the SAI_xIM register. To clear the AFSDET flag, CAFSDET bit must be set in the SAI_xCLRFR register.

To resynchronize with the master after an anticipated frame detection error, four steps are required:

  1. 1. Disable the SAI block by resetting SAIEN bit in SAI_xCR1 register. To make sure the SAI is disabled, read back the SAIEN bit and check it is set to 0.
  2. 2. Flush the FIFO via FFLUS bit in SAI_xCR2 register.
  3. 3. Enable again the SAI peripheral (SAIEN bit set to 1).
  4. 4. The SAI block waits for the assertion on FS to restart the synchronization with master.

Note: The AFSDET flag is not asserted in AC'97 mode since the SAI audio block acts as a link controller and generates the FS signal even when declared as slave. It has no meaning in SPDIF mode since the FS signal is not used.

Late frame synchronization detection

The LFSDET flag in the SAI_xSR register can be set only when the SAI audio block operates as a slave. The frame length, the frame polarity and the frame offset configuration are known in register SAI_xFRCR.

If the external master does not send the FS signal at the expecting time thus generating the signal too late, the LFSDET flag is set and an interrupt is generated if LFSDETIE bit is set in the SAI_xIM register.

The LFSDET flag is cleared when CLFSDET bit is set in the SAI_xCLRFR register.

The late frame synchronization detection flag is set when the corresponding error is detected. The SAI needs to be resynchronized with the master (see sequence described in Anticipated frame synchronization detection (AFSDET) ).

In a noisy environment, glitches on the SCK clock may be wrongly detected by the audio block state machine and shift the SAI data at a wrong frame position. This event can be detected by the SAI and reported as a late frame synchronization detection error.

There is no corruption if the external master is not managing the audio data frame transfer in continuous mode, which must not be the case in most applications. In this case, the LFSDET flag is set.

Note: The LFSDET flag is not asserted in AC'97 mode since the SAI audio block acts as a link controller and generates the FS signal even when declared as slave. It has no meaning in SPDIF mode since the signal FS is not used by the protocol.

Codec not ready (CNRDY AC'97)

The CNRDY flag in the SAI_xSR register is relevant only if the SAI audio block is configured to operate in AC'97 mode (PRTCFCG[1:0] = 10 in the SAI_xCR1 register). If CNRDYIE bit is set in the SAI_xIM register, an interrupt is generated when the CNRDY flag is set.

CNRDY is asserted when the Codec is not ready to communicate during the reception of the TAG 0 (slot0) of the AC'97 audio frame. In this case, no data are automatically stored into the FIFO since the Codec is not ready, until the TAG 0 indicates that the Codec is ready. All the active slots defined in the SAI_xSLOTR register are captured when the Codec is ready.

To clear CNRDY flag, CCNRDY bit must be set in the SAI_xCLRFR register.

Wrong clock configuration in master mode (with NOMCK = 0)

When the audio block operates as a master (MODE[1] = 0) and NOMCK bit is equal to 0, the WCKCFG flag is set as soon as the SAI is enabled if the following conditions are met:

MODE, NOMCK, and SAIEN bits belong to SAI_xCR1 register and FRL to SAI_xFRCR register.

If WCKCFGIE bit is set, an interrupt is generated when WCKCFG flag is set in the SAI_xSR register. To clear this flag, set CWCKCFG bit in the SAI_xCLRFR register.

When WCKCFG bit is set, the audio block is automatically disabled, thus performing a hardware clear of SAIEN bit.

51.4.15 Disabling the SAI

The SAI audio block can be disabled at any moment by clearing SAIEN bit in the SAI_xCR1 register. All the already started frames are automatically completed before the SAI stops working. SAIEN bit remains High until the SAI is completely switched-off at the end of the current audio frame transfer.

If an audio block in the SAI operates synchronously with the other one, the one which is the master must be disabled first.

51.4.16 SAI DMA interface

To free the CPU and to optimize bus bandwidth, each SAI audio block has an independent DMA interface to read/write from/to the SAI_xDR register (to access the internal FIFO). There is one DMA channel per audio subblock supporting basic DMA request/acknowledge protocol.

To configure the audio subblock for DMA transfer, set DMAEN bit in the SAI_xCR1 register. The DMA request is managed directly by the FIFO controller depending on the FIFO threshold level (for more details refer to Section 51.4.9: Internal FIFOs ). DMA transfer direction is linked to the SAI audio subblock configuration:

Follow the sequence below to configure the SAI interface in DMA mode:

  1. 1. Configure SAI and FIFO threshold levels to specify when the DMA request is launched.
  2. 2. Configure SAI DMA channel.
  3. 3. Enable the DMA.
  4. 4. Enable the SAI interface.

Note: Before configuring the SAI block, the SAI DMA channel must be disabled.

51.5 SAI interrupts

The SAI supports 7 interrupt sources as shown in Table 433 .

Table 433. SAI interrupt sources

Interrupt acronymInterrupt sourceInterrupt groupAudio block modeInterrupt enableInterrupt clear
SAIFREQFREQMaster or slave
Receiver or transmitter
FREQIE in SAI_xIM registerDepends on:
– FIFO threshold setting (FLVL bits in SAI_xCR2)
– Communication direction (transmitter or receiver)
For more details refer to Section 51.4.9: Internal FIFOs
OVRUDRERRORMaster or slave
Receiver or transmitter
OVRUDRIE in SAI_xIM registerCOVRUDR = 1 in SAI_xCLRFR register
AFSDETERRORSlave (not used in AC'97 mode and SPDIF mode)AFSDETIE in SAI_xIM registerCAFSDET = 1 in SAI_xCLRFR register
LFSDETERRORSlave (not used in AC'97 mode and SPDIF mode)LFSDETIE in SAI_xIM registerCLFSDET = 1 in SAI_xCLRFR register
CNRDYERRORSlave (only in AC'97 mode)CNRDYIE in SAI_xIM registerCCNRDY = 1 in SAI_xCLRFR register
MUTEDETMUTEMaster or slave
Receiver mode only
MUTEDETIE in SAI_xIM registerCMUTEDET = 1 in SAI_xCLRFR register
WCKCFGERRORMaster with NOMCK = 0 in SAI_xCR1 registerWCKCFGIE in SAI_xIM registerCWCKCFG = 1 in SAI_xCLRFR register

Follow the sequence below to enable an interrupt:

  1. 1. Disable SAI interrupt.
  2. 2. Configure SAI.
  3. 3. Configure SAI interrupt source.
  4. 4. Enable SAI.

51.6 SAI registers

The peripheral registers have to be accessed by words (32 bits).

51.6.1 SAI global configuration register (SAI_GCR)

Address offset: 0x00

Reset value: 0x0000 0000

31302928272625242322212019181716
Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.
1514131211109876543210
Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.SYNCOUT[1:0]Res.Res.Res.SYNCIN[1:0]Res.
rwrwrwrw

Bits 31:6 Reserved, must be kept at reset value.

Bits 5:4 SYNCOUT[1:0] : Synchronization outputs

These bits are set and cleared by software.

00: No synchronization output signals. SYNCOUT[1:0] must be configured as “No synchronization output signals” when audio block is configured as SPDIF

01: Block A used for further synchronization for others SAI

10: Block B used for further synchronization for others SAI

11: Reserved. These bits must be set when both audio block (A and B) are disabled.

Bits 3:2 Reserved, must be kept at reset value.

Bits 1:0 SYNCIN[1:0] : Synchronization inputs

These bits are set and cleared by software.

Refer to for information on how to program this field .

These bits must be set when both audio blocks (A and B) are disabled.

They are meaningful if one of the two audio blocks is defined to operate in synchronous mode with an external SAI (SYNCEN[1:0] = 10 in SAI_ACR1 or in SAI_BCR1 registers).

51.6.2 SAI configuration register 1 (SAI_ACR1)

Address offset: 0x004

Reset value: 0x0000 0040

31302928272625242322212019181716
Res.Res.Res.Res.Res.OSRMCKDIV[5:0]NOMCKRes.DMAENSAIEN
rwrwrwrwrwrwrwrwrwrw

1514131211109876543210
Res.Res.OUTD
RIV
MONOSYNCEN[1:0]CKSTRLSBFIRSTDS[2:0]Res.PRTCFCG[1:0]MODE[1:0]
rwrwrwrwrwrwrwrwrwrwrwrwrw

Bits 31:27 Reserved, must be kept at reset value.

Bit 26 OSR : Oversampling ratio for master clock

0: Master clock frequency = \( F_{FS} \times 256 \)

1: Master clock frequency = \( F_{FS} \times 512 \)

Bits 25:20 MCKDIV[5:0] : Master clock divider

These bits are set and cleared by software.

000000: Divides by 1 the kernel clock input (sai_x_ker_ck).

Otherwise, The master clock frequency is calculated according to the formula given in

Section 51.4.8: SAI clock generator .

These bits have no meaning when the audio block is slave.

They have to be configured when the audio block is disabled.

Bit 19 NOMCK : No divider

This bit is set and cleared by software.

0: Master clock generator is enabled

1: Master clock generator is disabled. The clock divider controlled by MCKDIV can still be used to generate the bit clock.

Bit 18 Reserved, must be kept at reset value.

Bit 17 DMAEN : DMA enable

This bit is set and cleared by software.

0: DMA disabled

1: DMA enabled

Note: Since the audio block defaults to operate as a transmitter after reset, the MODE[1:0] bits must be configured before setting DMAEN to avoid a DMA request in receiver mode.

Bit 16 SAIEN : Audio block enable

This bit is set by software.

To switch off the audio block, the application software must program this bit to 0 and poll the bit till it reads back 0, meaning that the block is completely disabled. Before setting this bit to 1, check that it is set to 0, otherwise the enable command is not taken into account.

This bit enables to control the state of the SAI audio block. If it is disabled when an audio frame transfer is ongoing, the ongoing transfer completes and the cell is fully disabled at the end of this audio frame transfer.

0: SAI audio block disabled

1: SAI audio block enabled.

Note: When the SAI block (A or B) is configured in master mode, the clock must be present on the SAI block input before setting SAIEN bit.

Bits 15:14 Reserved, must be kept at reset value.

Bit 13 OUTDRIV : Output drive

This bit is set and cleared by software.

0: Audio block output driven when SAIEN is set

1: Audio block output driven immediately after the setting of this bit.

Note: This bit has to be set before enabling the audio block and after the audio block configuration.

Bit 12 MONO : Mono mode

This bit is set and cleared by software. It is meaningful only when the number of slots is equal to 2. When the mono mode is selected, slot 0 data are duplicated on slot 1 when the audio block operates as a transmitter. In reception mode, the slot1 is discarded and only the data received from slot 0 are stored. Refer to Section : Mono/stereo mode for more details.

0: Stereo mode

1: Mono mode.

Bits 11:10 SYNCEN[1:0] : Synchronization enable

These bits are set and cleared by software. They must be configured when the audio subblock is disabled.

00: audio subblock in asynchronous mode.

01: audio subblock is synchronous with the other internal audio subblock. In this case, the audio subblock must be configured in slave mode

10: audio subblock is synchronous with an external SAI embedded peripheral. In this case the audio subblock must be configured in Slave mode.

11: Reserved

Note: The audio subblock must be configured as asynchronous when SPDIF mode is enabled.

Bit 9 CKSTR : Clock strobing edge

This bit is set and cleared by software. It must be configured when the audio block is disabled. This bit has no meaning in SPDIF audio protocol.

0: Signals generated by the SAI change on SCK rising edge, while signals received by the SAI are sampled on the SCK falling edge.

1: Signals generated by the SAI change on SCK falling edge, while signals received by the SAI are sampled on the SCK rising edge.

Bit 8 LSBFIRST : Least significant bit first

This bit is set and cleared by software. It must be configured when the audio block is disabled. This bit has no meaning in AC'97 audio protocol since AC'97 data are always transferred with the MSB first. This bit has no meaning in SPDIF audio protocol since in SPDIF data are always transferred with LSB first.

0: Data are transferred with MSB first

1: Data are transferred with LSB first

Bits 7:5 DS[2:0] : Data size

These bits are set and cleared by software. These bits are ignored when the SPDIF protocols are selected (bit PRTCFCFG[1:0]), because the frame and the data size are fixed in such case. When the companding mode is selected through COMP[1:0] bits, DS[1:0] are ignored since the data size is fixed to 8 bits by the algorithm.

These bits must be configured when the audio block is disabled.

000: Reserved

001: Reserved

010: 8 bits

011: 10 bits

100: 16 bits

101: 20 bits

110: 24 bits

111: 32 bits

Bit 4 Reserved, must be kept at reset value.

Bits 3:2 PRTCFCFG[1:0] : Protocol configuration

These bits are set and cleared by software. These bits have to be configured when the audio block is disabled.

00: Free protocol. Free protocol enables to use the powerful configuration of the audio block to address a specific audio protocol (such as I2S, LSB/MSB justified, TDM, PCM/DSP...) by setting most of the configuration register bits as well as frame configuration register.

01: SPDIF protocol

10: AC'97 protocol

11: Reserved

Bits 1:0 MODE[1:0] : SAIx audio block mode

These bits are set and cleared by software. They must be configured when SAIx audio block is disabled.

00: Master transmitter

01: Master receiver

10: Slave transmitter

11: Slave receiver

Note: When the audio block is configured in SPDIF mode, the master transmitter mode is forced (MODE[1:0] = 00).

51.6.3 SAI configuration register 1 (SAI_BCR1)

Address offset: 0x024

Reset value: 0x0000 0040

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Res.Res.Res.Res.Res.OSRMCKDIV[5:0]NOMCKRes.DMAENSAIEN
rwrwrwrwrwrwrwrwrwrw
1514131211109876543210
Res.Res.OUTDRIVMONOSYNCEN[1:0]CKSTRLSBFIRSTDS[2:0]Res.PRTCFCFG[1:0]MODE[1:0]
rwrwrwrwrwrwrwrwrwrwrwrwrw

Bits 31:27 Reserved, must be kept at reset value.

Bit 26 OSR : Oversampling ratio for master clock
0: Master clock frequency = \( F_{FS} \times 256 \)
1: Master clock frequency = \( F_{FS} \times 512 \)

Bits 25:20 MCKDIV[5:0] : Master clock divider

These bits are set and cleared by software.
000000: Divides by 1 the kernel clock input (sai_x_ker_ck).
Otherwise, The master clock frequency is calculated according to the formula given in Section 51.4.8: SAI clock generator .
These bits have no meaning when the audio block is slave.
They have to be configured when the audio block is disabled.

Bit 19 NOMCK : No divider

This bit is set and cleared by software.
0: Master clock generator is enabled
1: Master clock generator is disabled. The clock divider controlled by MCKDIV can still be used to generate the bit clock.

Bit 18 Reserved, must be kept at reset value.

Bit 17 DMAEN : DMA enable

This bit is set and cleared by software.
0: DMA disabled
1: DMA enabled

Note: Since the audio block defaults to operate as a transmitter after reset, the MODE[1:0] bits must be configured before setting DMAEN to avoid a DMA request in receiver mode.

Bit 16 SAIEN : Audio block enable

This bit is set by software.

To switch off the audio block, the application software must program this bit to 0 and poll the bit till it reads back 0, meaning that the block is completely disabled. Before setting this bit to 1, check that it is set to 0, otherwise the enable command is not taken into account.

This bit enables to control the state of the SAI audio block. If it is disabled when an audio frame transfer is ongoing, the ongoing transfer completes and the cell is fully disabled at the end of this audio frame transfer.
0: SAI audio block disabled
1: SAI audio block enabled.

Note: When the SAI block (A or B) is configured in master mode, the clock must be present on the SAI block input before setting SAIEN bit.

Bits 15:14 Reserved, must be kept at reset value.

Bit 13 OUTDRIV : Output drive

This bit is set and cleared by software.
0: Audio block output driven when SAIEN is set
1: Audio block output driven immediately after the setting of this bit.

Note: This bit has to be set before enabling the audio block and after the audio block configuration.

Bit 12 MONO : Mono mode

This bit is set and cleared by software. It is meaningful only when the number of slots is equal to 2. When the mono mode is selected, slot 0 data are duplicated on slot 1 when the audio block operates as a transmitter. In reception mode, the slot1 is discarded and only the data received from slot 0 are stored. Refer to Section : Mono/stereo mode for more details.
0: Stereo mode
1: Mono mode.

Bits 11:10 SYNCEN[1:0]: Synchronization enable

These bits are set and cleared by software. They must be configured when the audio subblock is disabled.

00: audio subblock in asynchronous mode.

01: audio subblock is synchronous with the other internal audio subblock. In this case, the audio subblock must be configured in slave mode

10: audio subblock is synchronous with an external SAI embedded peripheral. In this case the audio subblock must be configured in Slave mode.

11: Reserved

Note: The audio subblock must be configured as asynchronous when SPDIF mode is enabled.

Bit 9 CKSTR: Clock strobing edge

This bit is set and cleared by software. It must be configured when the audio block is disabled. This bit has no meaning in SPDIF audio protocol.

0: Signals generated by the SAI change on SCK rising edge, while signals received by the SAI are sampled on the SCK falling edge.

1: Signals generated by the SAI change on SCK falling edge, while signals received by the SAI are sampled on the SCK rising edge.

Bit 8 LSBFIRST: Least significant bit first

This bit is set and cleared by software. It must be configured when the audio block is disabled. This bit has no meaning in AC'97 audio protocol since AC'97 data are always transferred with the MSB first. This bit has no meaning in SPDIF audio protocol since in SPDIF data are always transferred with LSB first.

0: Data are transferred with MSB first

1: Data are transferred with LSB first

Bits 7:5 DS[2:0]: Data size

These bits are set and cleared by software. These bits are ignored when the SPDIF protocols are selected (bit PRTCFCFG[1:0]), because the frame and the data size are fixed in such case. When the companding mode is selected through COMP[1:0] bits, DS[1:0] are ignored since the data size is fixed to 8 bits by the algorithm.

These bits must be configured when the audio block is disabled.

000: Reserved

001: Reserved

010: 8 bits

011: 10 bits

100: 16 bits

101: 20 bits

110: 24 bits

111: 32 bits

Bit 4 Reserved, must be kept at reset value.

Bits 3:2 PRTCFCG[1:0] : Protocol configuration

These bits are set and cleared by software. These bits have to be configured when the audio block is disabled.

00: Free protocol. Free protocol enables to use the powerful configuration of the audio block to address a specific audio protocol (such as I2S, LSB/MSB justified, TDM, PCM/DSP...) by setting most of the configuration register bits as well as frame configuration register.

01: SPDIF protocol

10: AC'97 protocol

11: Reserved

Bits 1:0 MODE[1:0] : SAIX audio block mode

These bits are set and cleared by software. They must be configured when SAIX audio block is disabled.

00: Master transmitter

01: Master receiver

10: Slave transmitter

11: Slave receiver

Note: When the audio block is configured in SPDIF mode, the master transmitter mode is forced (MODE[1:0] = 00). In Master transmitter mode, the audio block starts generating the FS and the clocks immediately.

51.6.4 SAI configuration register 2 (SAI_ACR2)

Address offset: 0x008

Reset value: 0x0000 0000

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Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.
1514131211109876543210
COMP[1:0]CPLMUTECNT[5:0]MUTE VALMUTETRISF FLUSHFTH[2:0]
rwrwrwrwrwrwrwrwrwrwrwrwwrwrwrw

Bits 31:16 Reserved, must be kept at reset value.

Bits 15:14 COMP[1:0] : Companding mode.

These bits are set and cleared by software. The \( \mu \) -Law and the A-Law log are a part of the CCITT G.711 recommendation, the type of complement that is used depends on CPL bit .

The data expansion or data compression are determined by the state of bit MODE[0].

The data compression is applied if the audio block is configured as a transmitter.

The data expansion is automatically applied when the audio block is configured as a receiver.

Refer to Section : Companding mode for more details.

00: No companding algorithm

01: Reserved.

10: \( \mu \) -Law algorithm

11: A-Law algorithm

Note: Companding mode is applicable only when Free protocol mode is selected.

Bit 13 CPL : Complement bit.

This bit is set and cleared by software.

It defines the type of complement to be used for companding mode

0: 1's complement representation.

1: 2's complement representation.

Note: This bit has effect only when the companding mode is \( \mu \) -Law algorithm or A-Law algorithm.

Bits 12:7 MUTECNT[5:0] : Mute counter.

These bits are set and cleared by software. They are used only in reception mode.

The value set in these bits is compared to the number of consecutive mute frames detected in reception. When the number of mute frames is equal to this value, the flag MUTEDET is set and an interrupt is generated if bit MUTEDETIE is set.

Refer to Section : Mute mode for more details.

Bit 6 MUTEVAL : Mute value.

This bit is set and cleared by software. It must be written before enabling the audio block: SAIEN.

This bit is meaningful only when the audio block operates as a transmitter, the number of slots is lower or equal to 2 and the MUTE bit is set.

If more slots are declared, the bit value sent during the transmission in mute mode is equal to 0, whatever the value of MUTEVAL.

if the number of slot is lower or equal to 2 and MUTEVAL = 1, the MUTE value transmitted for each slot is the one sent during the previous frame.

Refer to Section : Mute mode for more details.

0: Bit value 0 is sent during the mute mode.

1: Last values are sent during the mute mode.

Note: This bit is meaningless and must not be used for SPDIF audio blocks.

Bit 5 MUTE : Mute.

This bit is set and cleared by software. It is meaningful only when the audio block operates as a transmitter. The MUTE value is linked to value of MUTEVAL if the number of slots is lower or equal to 2, or equal to 0 if it is greater than 2.

Refer to Section : Mute mode for more details.

0: No mute mode.

1: Mute mode enabled.

Note: This bit is meaningless and must not be used for SPDIF audio blocks.

Bit 4 TRIS : Tristate management on data line.

This bit is set and cleared by software. It is meaningful only if the audio block is configured as a transmitter. This bit is not used when the audio block is configured in SPDIF mode. It must be configured when SAI is disabled.

Refer to Section : Output data line management on an inactive slot for more details.

0: SD output line is still driven by the SAI when a slot is inactive.

1: SD output line is released (HI-Z) at the end of the last data bit of the last active slot if the next one is inactive.

Bit 3 FFLUSH : FIFO flush.

This bit is set by software. It is always read as 0. This bit must be configured when the SAI is disabled.

0: No FIFO flush.

1: FIFO flush. Programming this bit to 1 triggers the FIFO Flush. All the internal FIFO pointers (read and write) are cleared. In this case data still present in the FIFO are lost (no more transmission or received data lost). Before flushing, SAI DMA stream/interrupt must be disabled

Bits 2:0 FTH[2:0] : FIFO threshold.

This bit is set and cleared by software.

000: FIFO empty

001: ¼ FIFO

010: ½ FIFO

011: ¾ FIFO

100: FIFO full

101: Reserved

110: Reserved

111: Reserved

51.6.5 SAI configuration register 2 (SAI_BCR2)

Address offset: 0x028

Reset value: 0x0000 0000

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Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.
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COMP[1:0]CPLMUTECNT[5:0]MUTE VALMUTETRISF FLUSHFTH[2:0]
rwrwrwrwrwrwrwrwrwrwrwrwwrwrwrw

Bits 31:16 Reserved, must be kept at reset value.

Bits 15:14 COMP[1:0] : Companding mode.

These bits are set and cleared by software. The \( \mu \) -Law and the A-Law log are a part of the CCITT G.711 recommendation, the type of complement that is used depends on CPL bit .
The data expansion or data compression are determined by the state of bit MODE[0].
The data compression is applied if the audio block is configured as a transmitter.
The data expansion is automatically applied when the audio block is configured as a receiver.
Refer to Section : Companding mode for more details.

Note: Companding mode is applicable only when Free protocol mode is selected.

Bit 13 CPL : Complement bit.

This bit is set and cleared by software.
It defines the type of complement to be used for companding mode

Note: This bit has effect only when the companding mode is \( \mu \) -Law algorithm or A-Law algorithm.

Bits 12:7 MUTECNT[5:0] : Mute counter.

These bits are set and cleared by software. They are used only in reception mode.
The value set in these bits is compared to the number of consecutive mute frames detected in reception. When the number of mute frames is equal to this value, the flag MUTEDET is set and an interrupt is generated if bit MUTEDETIE is set.
Refer to Section : Mute mode for more details.

Bit 6 MUTEVAL : Mute value.

This bit is set and cleared by software. It must be written before enabling the audio block: SAIEN.
This bit is meaningful only when the audio block operates as a transmitter, the number of slots is lower or equal to 2 and the MUTE bit is set.
If more slots are declared, the bit value sent during the transmission in mute mode is equal to 0, whatever the value of MUTEVAL.
if the number of slot is lower or equal to 2 and MUTEVAL = 1, the MUTE value transmitted for each slot is the one sent during the previous frame.
Refer to Section : Mute mode for more details.

Note: This bit is meaningless and must not be used for SPDIF audio blocks.

Bit 5 MUTE : Mute.

This bit is set and cleared by software. It is meaningful only when the audio block operates as a transmitter. The MUTE value is linked to value of MUTEVAL if the number of slots is lower or equal to 2, or equal to 0 if it is greater than 2.
Refer to Section : Mute mode for more details.

Note: This bit is meaningless and must not be used for SPDIF audio blocks.

Bit 4 TRIS : Tristate management on data line.

This bit is set and cleared by software. It is meaningful only if the audio block is configured as a transmitter. This bit is not used when the audio block is configured in SPDIF mode. It must be configured when SAI is disabled.

Refer to Section : Output data line management on an inactive slot for more details.

0: SD output line is still driven by the SAI when a slot is inactive.

1: SD output line is released (HI-Z) at the end of the last data bit of the last active slot if the next one is inactive.

Bit 3 FFLUSH : FIFO flush.

This bit is set by software. It is always read as 0. This bit must be configured when the SAI is disabled.

0: No FIFO flush.

1: FIFO flush. Programming this bit to 1 triggers the FIFO Flush. All the internal FIFO pointers (read and write) are cleared. In this case data still present in the FIFO are lost (no more transmission or received data lost). Before flushing, SAI DMA stream/interrupt must be disabled

Bits 2:0 FTH[2:0] : FIFO threshold.

This bit is set and cleared by software.

51.6.6 SAI frame configuration register (SAI_AFRCR)

Address offset: 0x00C

Reset value: 0x0000 0007

Note: This register has no meaning in AC'97 and SPDIF audio protocol.

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Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.FSOFFFSPOLFSDEF
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1514131211109876543210
Res.FSALL[6:0]FRL[7:0]
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Bits 31:19 Reserved, must be kept at reset value.

Bit 18 FSOFF : Frame synchronization offset.

This bit is set and cleared by software. It is meaningless and is not used in AC'97 or SPDIF audio block configuration. This bit must be configured when the audio block is disabled.

0: FS is asserted on the first bit of the slot 0.

1: FS is asserted one bit before the first bit of the slot 0.

Bit 17 FSPOL : Frame synchronization polarity.

This bit is set and cleared by software. It is used to configure the level of the start of frame on the FS signal. It is meaningless and is not used in AC'97 or SPDIF audio block configuration.

This bit must be configured when the audio block is disabled.

0: FS is active low (falling edge)

1: FS is active high (rising edge)

Bit 16 FSDEF : Frame synchronization definition.

This bit is set and cleared by software.

0: FS signal is a start frame signal

1: FS signal is a start of frame signal + channel side identification

When the bit is set, the number of slots defined in the SAI_xSLOTR register has to be even. It means that half of this number of slots are dedicated to the left channel and the other slots for the right channel (e.g: this bit has to be set for I2S or MSB/LSB-justified protocols...).

This bit is meaningless and is not used in AC'97 or SPDIF audio block configuration. It must be configured when the audio block is disabled.

Bit 15 Reserved, must be kept at reset value.

Bits 14:8 FSALL[6:0] : Frame synchronization active level length.

These bits are set and cleared by software. They specify the length in number of bit clock (SCK) + 1 (FSALL[6:0] + 1) of the active level of the FS signal in the audio frame

These bits are meaningless and are not used in AC'97 or SPDIF audio block configuration.

They must be configured when the audio block is disabled.

Bits 7:0 FRL[7:0] : Frame length.

These bits are set and cleared by software. They define the audio frame length expressed in number of SCK clock cycles: the number of bits in the frame is equal to FRL[7:0] + 1.

The minimum number of bits to transfer in an audio frame must be equal to 8, otherwise the audio block behaves in an unexpected way. This is the case when the data size is 8 bits and only one slot 0 is defined in NBSLOT[4:0] of SAI_xSLOTR register (NBSLOT[3:0] = 0000).

In master mode, if the master clock (available on MCLK_x pin) is used, the frame length must be aligned with a number equal to a power of 2, ranging from 8 to 256. When the master clock is not used (NOMCK = 1), it is recommended to program the frame length to an value ranging from 8 to 256.

These bits are meaningless and are not used in AC'97 or SPDIF audio block configuration. They must be configured when the audio block is disabled.

51.6.7 SAI frame configuration register (SAI_BFRCR)

Address offset: 0x02C

Reset value: 0x0000 0007

Note: This register has no meaning in AC'97 and SPDIF audio protocol

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Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.FSOFFFSPOLFSDEF
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1514131211109876543210
Res.FSALL[6:0]FRL[7:0]
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Bits 31:19 Reserved, must be kept at reset value.

Bit 18 FSOFF : Frame synchronization offset.

This bit is set and cleared by software. It is meaningless and is not used in AC'97 or SPDIF audio block configuration. This bit must be configured when the audio block is disabled.

0: FS is asserted on the first bit of the slot 0.

1: FS is asserted one bit before the first bit of the slot 0.

Bit 17 FSPOL : Frame synchronization polarity.

This bit is set and cleared by software. It is used to configure the level of the start of frame on the FS signal. It is meaningless and is not used in AC'97 or SPDIF audio block configuration.

This bit must be configured when the audio block is disabled.

0: FS is active low (falling edge)

1: FS is active high (rising edge)

Bit 16 FSDEF : Frame synchronization definition.

This bit is set and cleared by software.

0: FS signal is a start frame signal

1: FS signal is a start of frame signal + channel side identification

When the bit is set, the number of slots defined in the SAI_xSLOTR register has to be even. It means that half of this number of slots is dedicated to the left channel and the other slots for the right channel (e.g: this bit has to be set for I2S or MSB/LSB-justified protocols...).

This bit is meaningless and is not used in AC'97 or SPDIF audio block configuration. It must be configured when the audio block is disabled.

Bit 15 Reserved, must be kept at reset value.

Bits 14:8 FSALL[6:0] : Frame synchronization active level length.

These bits are set and cleared by software. They specify the length in number of bit clock (SCK) + 1 (FSALL[6:0] + 1) of the active level of the FS signal in the audio frame

These bits are meaningless and are not used in AC'97 or SPDIF audio block configuration.

They must be configured when the audio block is disabled.

Bits 7:0 FRL[7:0] : Frame length.

These bits are set and cleared by software. They define the audio frame length expressed in number of SCK clock cycles: the number of bits in the frame is equal to FRL[7:0] + 1.

The minimum number of bits to transfer in an audio frame must be equal to 8, otherwise the audio block behaves in an unexpected way. This is the case when the data size is 8 bits and only one slot 0 is defined in NBSLOT[4:0] of SAI_xSLOTR register (NBSLOT[3:0] = 0000).

In master mode, if the master clock (available on MCLK_x pin) is used, the frame length must be aligned with a number equal to a power of 2, ranging from 8 to 256. When the master clock is not used (NOMCK = 1), it is recommended to program the frame length to a value ranging from 8 to 256.

These bits are meaningless and are not used in AC'97 or SPDIF audio block configuration.

51.6.8 SAI slot register (SAI_ASLOTR)

Address offset: 0x010

Reset value: 0x0000 0000

Note: This register has no meaning in AC'97 and SPDIF audio protocol.

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SLOTEN[15:0]
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1514131211109876543210
Res.Res.Res.Res.NBSLOT[3:0]SLOTSZ[1:0]Res.FBOFF[4:0]
rwrwrwrwrwrwrwrwrwrwrw

Bits 31:16 SLOTEN[15:0] : Slot enable.

These bits are set and cleared by software.

Each SLOTEN bit corresponds to a slot position from 0 to 15 (maximum 16 slots).

0: Inactive slot.

1: Active slot.

The slot must be enabled when the audio block is disabled.

They are ignored in AC'97 or SPDIF mode.

Bits 15:12 Reserved, must be kept at reset value.

Bits 11:8 NBSLOT[3:0] : Number of slots in an audio frame.

These bits are set and cleared by software.

The value set in this bitfield represents the number of slots + 1 in the audio frame (including the number of inactive slots). The maximum number of slots is 16.

The number of slots must be even if FSDEF bit in the SAI_xFRCR register is set.

The number of slots must be configured when the audio block is disabled.

They are ignored in AC'97 or SPDIF mode.

Bits 7:6 SLOTSZ[1:0] : Slot size

This bits is set and cleared by software.

The slot size must be higher or equal to the data size. If this condition is not respected, the behavior of the SAI is undetermined.

Refer to Output data line management on an inactive slot for information on how to drive SD line.

These bits must be set when the audio block is disabled.

They are ignored in AC'97 or SPDIF mode.

00: The slot size is equivalent to the data size (specified in DS[3:0] in the SAI_xCR1 register).

01: 16-bit

10: 32-bit

11: Reserved

Bit 5 Reserved, must be kept at reset value.

Bits 4:0 FBOFF[4:0] : First bit offset

These bits are set and cleared by software.

The value set in this bitfield defines the position of the first data transfer bit in the slot. It represents an offset value. In transmission mode, the bits outside the data field are forced to 0. In reception mode, the extra received bits are discarded.

These bits must be set when the audio block is disabled.

They are ignored in AC'97 or SPDIF mode.

51.6.9 SAI slot register (SAI_BSLOTR)

Address offset: 0x030

Reset value: 0x0000 0000

Note: This register has no meaning in AC'97 and SPDIF audio protocol.

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SLOTEN[15:0]
rwrwrwrwrwrwrwrwrwrwrwrwrwrwrwrw
1514131211109876543210
Res.Res.Res.Res.NBSLOT[3:0]SLOTSZ[1:0]Res.FBOFF[4:0]
rwrwrwrwrwrwrwrwrwrwrw

Bits 31:16 SLOTEN[15:0] : Slot enable.

These bits are set and cleared by software.

Each SLOTEN bit corresponds to a slot position from 0 to 15 (maximum 16 slots).

0: Inactive slot.

1: Active slot.

The slot must be enabled when the audio block is disabled.

They are ignored in AC'97 or SPDIF mode.

Bits 15:12 Reserved, must be kept at reset value.

Bits 11:8 NBSLOT[3:0] : Number of slots in an audio frame.

These bits are set and cleared by software.

The value set in this bitfield represents the number of slots + 1 in the audio frame (including the number of inactive slots). The maximum number of slots is 16.

The number of slots must be even if FSDEF bit in the SAI_xFCR register is set.

The number of slots must be configured when the audio block is disabled.

They are ignored in AC'97 or SPDIF mode.

Bits 7:6 SLOTSZ[1:0] : Slot size

This bits is set and cleared by software.

The slot size must be higher or equal to the data size. If this condition is not respected, the behavior of the SAI is undetermined.

Refer to Output data line management on an inactive slot for information on how to drive SD line.

These bits must be set when the audio block is disabled.

They are ignored in AC'97 or SPDIF mode.

00: The slot size is equivalent to the data size (specified in DS[3:0] in the SAI_xCR1 register).

01: 16-bit

10: 32-bit

11: Reserved

Bit 5 Reserved, must be kept at reset value.

Bits 4:0 FBOFF[4:0] : First bit offset

These bits are set and cleared by software.

The value set in this bitfield defines the position of the first data transfer bit in the slot. It represents an offset value. In transmission mode, the bits outside the data field are forced to 0. In reception mode, the extra received bits are discarded.

These bits must be set when the audio block is disabled.

They are ignored in AC'97 or SPDIF mode.

51.6.10 SAI interrupt mask register (SAI_AIM)

Address offset: 0x014

Reset value: 0x0000 0000

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Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.
1514131211109876543210
Res.Res.Res.Res.Res.Res.Res.Res.Res.LFSDET
IE
AFSDET
IE
CNRDY
IE
FREQ
IE
WCKCFG
IE
MUTEDET
IE
OVRUDR
IE
rwrwrwrwrwrwrw

Bits 31:7 Reserved, must be kept at reset value.

Bit 6 LFSDETI : Late frame synchronization detection interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the LFSDET bit is set in the SAI_xSR register.

This bit is meaningless in AC'97, SPDIF mode or when the audio block operates as a master.

Bit 5 AFSDETI : Anticipated frame synchronization detection interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the AFSDET bit in the SAI_xSR register is set.

This bit is meaningless in AC'97, SPDIF mode or when the audio block operates as a master.

Bit 4 CNRDYI : Codec not ready interrupt enable (AC'97).

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When the interrupt is enabled, the audio block detects in the slot 0 (tag0) of the AC'97 frame if the Codec connected to this line is ready or not. If it is not ready, the CNRDY flag in the SAI_xSR register is set and an interrupt is generated.

This bit has a meaning only if the AC'97 mode is selected through PRTCFG[1:0] bits and the audio block operates as a receiver.

Bit 3 FREQI : FIFO request interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the FREQ bit in the SAI_xSR register is set.

Since the audio block defaults to operate as a transmitter after reset, the MODE bit must be configured before setting FREQI to avoid a parasitic interrupt in receiver mode.

Bit 2 WCKCFGIE : Wrong clock configuration interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

This bit is taken into account only if the audio block is configured as a master (MODE[1] = 0) and NOMCK = 0.

It generates an interrupt if the WCKCFG flag in the SAI_xSR register is set.

Note: This bit is used only in Free protocol mode and is meaningless in other modes.

Bit 1 MUTEDETI : Mute detection interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the MUTEDET bit in the SAI_xSR register is set.

This bit has a meaning only if the audio block is configured in receiver mode.

Bit 0 OVRUDRI : Overrun/underrun interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the OVRUDR bit in the SAI_xSR register is set.

51.6.11 SAI interrupt mask register (SAI_BIM)

Address offset: 0x034

Reset value: 0x0000 0000

31302928272625242322212019181716
Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.
1514131211109876543210
Res.Res.Res.Res.Res.Res.Res.Res.Res.LFSDET IEAFSDET IECNRDY IEFREQ IEWCKCFG IEMUTEDET IEOVRUDR IE
rwrwrwrwrwrwrw

Bits 31:7 Reserved, must be kept at reset value.

Bit 6 LFSDETIE: Late frame synchronization detection interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the LFSDET bit is set in the SAI_xSR register.

This bit is meaningless in AC'97, SPDIF mode or when the audio block operates as a master.

Bit 5 AFSDETIE: Anticipated frame synchronization detection interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the AFSDET bit in the SAI_xSR register is set.

This bit is meaningless in AC'97, SPDIF mode or when the audio block operates as a master.

Bit 4 CNRDYIE: Codec not ready interrupt enable (AC'97).

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When the interrupt is enabled, the audio block detects in the slot 0 (tag0) of the AC'97 frame if the Codec connected to this line is ready or not. If it is not ready, the CNRDY flag in the SAI_xSR register is set and an interrupt is generated.

This bit has a meaning only if the AC'97 mode is selected through PRTCFG[1:0] bits and the audio block is operates as a receiver.

Bit 3 FREQIE: FIFO request interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the FREQ bit in the SAI_xSR register is set.

Since the audio block defaults to operate as a transmitter after reset, the MODE bit must be configured before setting FREQIE to avoid a parasitic interrupt in receiver mode,

Bit 2 WCKCFGIE : Wrong clock configuration interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

This bit is taken into account only if the audio block is configured as a master (MODE[1] = 0) and NOMCK = 0.

It generates an interrupt if the WCKCFG flag in the SAI_xSR register is set.

Note: This bit is used only in Free protocol mode and is meaningless in other modes.

Bit 1 MUTEDETIE : Mute detection interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the MUTEDET bit in the SAI_xSR register is set.

This bit has a meaning only if the audio block is configured in receiver mode.

Bit 0 OVRUDRIE : Overrun/underrun interrupt enable.

This bit is set and cleared by software.

0: Interrupt is disabled

1: Interrupt is enabled

When this bit is set, an interrupt is generated if the OVRUDR bit in the SAI_xSR register is set.

51.6.12 SAI status register (SAI_ASR)

Address offset: 0x018

Reset value: 0x0000 0008

31302928272625242322212019181716
Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.FLVL[2:0]
rrr
1514131211109876543210
Res.Res.Res.Res.Res.Res.Res.Res.Res.LFSDETAFSDETCNRDYFREQWCKCFGMUTEDETOVRUDR
rrrrrrr

Bits 31:19 Reserved, must be kept at reset value.

Bits 18:16 FLVL[2:0] : FIFO level threshold.

This bit is read only. The FIFO level threshold flag is managed only by hardware and its setting depends on SAI block configuration (transmitter or receiver mode).

000: FIFO empty (transmitter and receiver modes)

001: FIFO \( \leq \frac{1}{4} \) but not empty (transmitter mode), FIFO \( < \frac{1}{4} \) but not empty (receiver mode)

010: \( \frac{1}{4} < \text{FIFO} \leq \frac{1}{2} \) (transmitter mode), \( \frac{1}{4} \leq \text{FIFO} < \frac{1}{2} \) (receiver mode)

011: \( \frac{1}{2} < \text{FIFO} \leq \frac{3}{4} \) (transmitter mode), \( \frac{1}{2} \leq \text{FIFO} < \frac{3}{4} \) (receiver mode)

100: \( \frac{3}{4} < \text{FIFO} \) but not full (transmitter mode), \( \frac{3}{4} \leq \text{FIFO} \) but not full (receiver mode)

101: FIFO full (transmitter and receiver modes)

Others: Reserved

Bits 15:7 Reserved, must be kept at reset value.

Bit 6 LFSDET : Late frame synchronization detection.

This bit is read only.

0: No error.

1: Frame synchronization signal is not present at the right time.

This flag can be set only if the audio block is configured in slave mode.

It is not used in AC'97 or SPDIF mode.

It can generate an interrupt if LFSDETIE bit is set in the SAI_xIM register.

This flag is cleared when the software sets bit CLFSDET in SAI_xCLRFR register

Bit 5 AFSDET : Anticipated frame synchronization detection.

This bit is read only.

0: No error.

1: Frame synchronization signal is detected earlier than expected.

This flag can be set only if the audio block is configured in slave mode.

It is not used in AC'97 or SPDIF mode.

It can generate an interrupt if AFSDETIE bit is set in SAI_xIM register.

This flag is cleared when the software sets CAFSDET bit in SAI_xCLRFR register.

Bit 4 CNRDY : Codec not ready.

This bit is read only.

0: External AC'97 Codec is ready

1: External AC'97 Codec is not ready

This bit is used only when the AC'97 audio protocol is selected in the SAI_xCR1 register and configured in receiver mode.

It can generate an interrupt if CNRDYIE bit is set in SAI_xIM register.

This flag is cleared when the software sets CCNRDY bit in SAI_xCLRFR register.

Bit 3 FREQ : FIFO request.

This bit is read only.

0: No FIFO request.

1: FIFO request to read or to write the SAI_xDR.

The request depends on the audio block configuration:

This flag can generate an interrupt if FREQIE bit is set in SAI_xIM register.

Bit 2 WCKCFG : Wrong clock configuration flag.

This bit is read only.

0: Clock configuration is correct

1: Clock configuration does not respect the rule concerning the frame length specification defined in Section 51.4.6: Frame synchronization (configuration of FRL[7:0] bit in the SAI_xFRCR register)

This bit is used only when the audio block operates in master mode (MODE[1] = 0) and NOMCK = 0.

It can generate an interrupt if WCKCFGIE bit is set in SAI_xIM register.

This flag is cleared when the software sets CWCKCFG bit in SAI_xCLRFR register.

Bit 1 MUTEDET : Mute detection.

This bit is read only.

0: No MUTE detection on the SD input line

1: MUTE value detected on the SD input line (0 value) for a specified number of consecutive audio frame

This flag is set if consecutive 0 values are received in each slot of a given audio frame and for a consecutive number of audio frames (set in the MUTECNT bit in the SAI_xCR2 register).

It can generate an interrupt if MUTEDETIE bit is set in SAI_xIM register.

This flag is cleared when the software sets CMUTEDET in the SAI_xCLRFR register.

Bit 0 OVRUDR : Overrun / underrun.

This bit is read only.

0: No overrun/underrun error.

1: Overrun/underrun error detection.

The overrun and underrun conditions can occur only when the audio block is configured as a receiver and a transmitter, respectively.

It can generate an interrupt if OVRUDRIE bit is set in SAI_xIM register.

This flag is cleared when the software sets COVRUDR bit in SAI_xCLRFR register.

51.6.13 SAI status register (SAI_BSR)

Address offset: 0x038

Reset value: 0x0000 0008

31302928272625242322212019181716
Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.FLVL[2:0]
rrr
1514131211109876543210
Res.Res.Res.Res.Res.Res.Res.Res.Res.LFSDETAFSDETCNRDYFREQWCKCFGMUTEDETOVRUDR
rrrrrrr

Bits 31:19 Reserved, must be kept at reset value.

Bits 18:16 FLVL[2:0] : FIFO level threshold.

This bit is read only. The FIFO level threshold flag is managed only by hardware and its setting depends on SAI block configuration (transmitter or receiver mode).

000: FIFO empty (transmitter and receiver modes)

001: \( FIFO \leq \frac{1}{4} \) but not empty (transmitter mode), \( FIFO < \frac{1}{4} \) but not empty (receiver mode)

010: \( \frac{1}{4} < FIFO \leq \frac{1}{2} \) (transmitter mode), \( \frac{1}{4} \leq FIFO < \frac{1}{2} \) (receiver mode)

011: \( \frac{1}{2} < FIFO \leq \frac{3}{4} \) (transmitter mode), \( \frac{1}{2} \leq FIFO < \frac{3}{4} \) (receiver mode)

100: \( \frac{3}{4} < FIFO \) but not full (transmitter mode), \( \frac{3}{4} \leq FIFO \) but not full (receiver mode)

101: FIFO full (transmitter and receiver modes)

Others: Reserved

Bits 15:7 Reserved, must be kept at reset value.

Bit 6 LFSDDET : Late frame synchronization detection.

This bit is read only.

0: No error.

1: Frame synchronization signal is not present at the right time.

This flag can be set only if the audio block is configured in slave mode.

It is not used in AC'97 or SPDIF mode.

It can generate an interrupt if LFSDDETIE bit is set in the SAI_xIM register.

This flag is cleared when the software sets bit CLFSDDET in SAI_xCLRFR register

Bit 5 AFSDDET : Anticipated frame synchronization detection.

This bit is read only.

0: No error.

1: Frame synchronization signal is detected earlier than expected.

This flag can be set only if the audio block is configured in slave mode.

It is not used in AC'97 or SPDIF mode.

It can generate an interrupt if AFSDDETIE bit is set in SAI_xIM register.

This flag is cleared when the software sets CAFSDDET bit in SAI_xCLRFR register.

Bit 4 CNRDY : Codec not ready.

This bit is read only.

0: External AC'97 Codec is ready

1: External AC'97 Codec is not ready

This bit is used only when the AC'97 audio protocol is selected in the SAI_xCR1 register and configured in receiver mode.

It can generate an interrupt if CNRDYIE bit is set in SAI_xIM register.

This flag is cleared when the software sets CCNRDY bit in SAI_xCLRFR register.

Bit 3 FREQ : FIFO request.

This bit is read only.

0: No FIFO request.

1: FIFO request to read or to write the SAI_xDR.

The request depends on the audio block configuration:

This flag can generate an interrupt if FREQIE bit is set in SAI_xIM register.

Bit 2 WCKCFG : Wrong clock configuration flag.

This bit is read only.

0: Clock configuration is correct

1: Clock configuration does not respect the rule concerning the frame length specification defined in Section 51.4.6: Frame synchronization (configuration of FRL[7:0] bit in the SAI_xFRCR register)

This bit is used only when the audio block operates in master mode (MODE[1] = 0) and NOMCK = 0.

It can generate an interrupt if WCKCFGIE bit is set in SAI_xIM register.

This flag is cleared when the software sets CWCKCFG bit in SAI_xCLRFR register.

Bit 1 MUTEDET : Mute detection.

This bit is read only.

0: No MUTE detection on the SD input line

1: MUTE value detected on the SD input line (0 value) for a specified number of consecutive audio frame

This flag is set if consecutive 0 values are received in each slot of a given audio frame and for a consecutive number of audio frames (set in the MUTECNT bit in the SAI_xCR2 register).

It can generate an interrupt if MUTEDETIE bit is set in SAI_xIM register.

This flag is cleared when the software sets bit CMUTEDET in the SAI_xCLRFR register.

Bit 0 OVRUDR : Overrun / underrun.

This bit is read only.

0: No overrun/underrun error.

1: Overrun/underrun error detection.

The overrun and underrun conditions can occur only when the audio block is configured as a receiver and a transmitter, respectively.

It can generate an interrupt if OVRUDRIE bit is set in SAI_xIM register.

This flag is cleared when the software sets COVRUDR bit in SAI_xCLRFR register.

51.6.14 SAI clear flag register (SAI_ACLRFR)

Address offset: 0x01C

Reset value: 0x0000 0000

31302928272625242322212019181716
Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.
1514131211109876543210
Res.Res.Res.Res.Res.Res.Res.Res.Res.CLFSDDETCAFSDETCCNRDYRes.CWCKCFGCMUTEDETCOVRUDR
wwwwww

Bits 31:7 Reserved, must be kept at reset value.

Bit 6 CLFSDDET : Clear late frame synchronization detection flag.

This bit is write only.

Programming this bit to 1 clears the LFSDET flag in the SAI_xSR register.

This bit is not used in AC'97 or SPDIF mode

Reading this bit always returns the value 0.

Bit 5 CAFSDET : Clear anticipated frame synchronization detection flag.

This bit is write only.

Programming this bit to 1 clears the AFSDET flag in the SAI_xSR register.

It is not used in AC'97 or SPDIF mode.

Reading this bit always returns the value 0.

Bit 4 CCNRDY : Clear Codec not ready flag.

This bit is write only.

Programming this bit to 1 clears the CNRDY flag in the SAI_xSR register.

This bit is used only when the AC'97 audio protocol is selected in the SAI_xCR1 register.

Reading this bit always returns the value 0.

Bit 3 Reserved, must be kept at reset value.

Bit 2 CWCKCFG : Clear wrong clock configuration flag.

This bit is write only.

Programming this bit to 1 clears the WCKCFG flag in the SAI_xSR register.

This bit is used only when the audio block is set as master (MODE[1] = 0) and NOMCK = 0 in the SAI_xCR1 register.

Reading this bit always returns the value 0.

Bit 1 CMUTEDET : Mute detection flag.

This bit is write only.

Programming this bit to 1 clears the MUTEDET flag in the SAI_xSR register.

Reading this bit always returns the value 0.

Bit 0 COVRUDR : Clear overrun / underrun.

This bit is write only.

Programming this bit to 1 clears the OVRUDR flag in the SAI_xSR register.

Reading this bit always returns the value 0.

51.6.15 SAI clear flag register (SAI_BCLRFR)

Address offset: 0x03C

Reset value: 0x0000 0000

31302928272625242322212019181716
Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.
1514131211109876543210
Res.Res.Res.Res.Res.Res.Res.Res.Res.CLFSDDETCAFSDETCCNRDYRes.CWCKCFGCMUTEDETCOVRUDR
wwwwww

Bits 31:7 Reserved, must be kept at reset value.

Bit 6 CLFSDDET : Clear late frame synchronization detection flag.

Bit 5 CAFSDET : Clear anticipated frame synchronization detection flag.

Bit 4 CCNRDY : Clear Codec not ready flag.

Bit 3 Reserved, must be kept at reset value.

Bit 2 CWCKCFG : Clear wrong clock configuration flag.

Bit 1 CMUTEDET : Mute detection flag.

Bit 0 COVRUDR : Clear overrun / underrun.

51.6.16 SAI data register (SAI_ADR)

Address offset: 0x020
Reset value: 0x0000 0000

31302928272625242322212019181716
DATA[31:16]
rwrwrwrwrwrwrwrwrwrwrwrwrwrwrwrw
1514131211109876543210
DATA[15:0]
rwrwrwrwrwrwrwrwrwrwrwrwrwrwrwrw

Bits 31:0 DATA[31:0] : Data

A write to this register loads the FIFO provided the FIFO is not full.

A read from this register empties the FIFO if the FIFO is not empty.

51.6.17 SAI data register (SAI_BDR)

Address offset: 0x040

Reset value: 0x0000 0000

31302928272625242322212019181716
DATA[31:16]
rwrwrwrwrwrwrwrwrwrwrwrwrwrwrwrw
1514131211109876543210
DATA[15:0]
rwrwrwrwrwrwrwrwrwrwrwrwrwrwrwrw

Bits 31:0 DATA[31:0] : Data

A write to this register loads the FIFO provided the FIFO is not full.

A read from this register empties the FIFO if the FIFO is not empty.

51.6.18 SAI PDM control register (SAI_PDMCR)

Address offset: 0x0044

Reset value: 0x0000 0000

31302928272625242322212019181716
Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.
1514131211109876543210
Res.Res.Res.Res.CKEN4CKEN3CKEN2CKEN1Res.Res.MICNBR[1:0]Res.Res.Res.PDMEN
rwrwrwrwrwrwrw

Bits 31:16 Reserved, must be kept at reset value.

Bits 15:12 Reserved, must be kept at reset value.

Bit 11 CKEN4 : Clock enable of bitstream clock number 4

This bit is set and cleared by software.

0: SAI_CK4 clock disabled

1: SAI_CK4 clock enabled

Note: It is not recommended to configure this bit when PDMEN = 1.

SAI_CK4 might not be available for all SAI instances. Refer to Section 51.3: SAI implementation for details.

Bit 10 CKEN3 : Clock enable of bitstream clock number 3

This bit is set and cleared by software.

0: SAI_CK3 clock disabled

1: SAI_CK3 clock enabled

Note: It is not recommended to configure this bit when PDMEN = 1.

SAI_CK3 might not be available for all SAI instances. Refer to Section 51.3: SAI implementation for details.

Bit 9 CKEN2 : Clock enable of bitstream clock number 2

This bit is set and cleared by software.

0: SAI_CK2 clock disabled

1: SAI_CK2 clock enabled

Note: It is not recommended to configure this bit when PDMEN = 1.

SAI_CK2 might not be available for all SAI instances. Refer to Section 51.3: SAI implementation for details.

Bit 8 CKEN1 : Clock enable of bitstream clock number 1

This bit is set and cleared by software.

0: SAI_CK1 clock disabled

1: SAI_CK1 clock enabled

Note: It is not recommended to configure this bit when PDMEN = 1.

SAI_CK1 might not be available for all SAI instances. Refer to Section 51.3: SAI implementation for details.

Bits 7:6 Reserved, must be kept at reset value.

Bits 5:4 MICNBR[1:0] : Number of microphones

This bit is set and cleared by software.

00: Configuration with 2 microphones

01: Configuration with 4 microphones

10: Configuration with 6 microphones

11: Configuration with 8 microphones

Note: It is not recommended to configure this field when PDMEN = 1.*

The complete set of data lines might not be available for all SAI instances. Refer to Section 51.3: SAI implementation for details.

Bits 3:1 Reserved, must be kept at reset value.

Bit 0 PDMEN : PDM enable

This bit is set and cleared by software. This bit enables to control the state of the PDM interface block.

Make sure that the SAI is already operating in TDM master mode before enabling the PDM interface.

0: PDM interface disabled

1: PDM interface enabled

51.6.19 SAI PDM delay register (SAI_PDMDLY)

Address offset: 0x0048

Reset value: 0x0000 0000

31302928272625242322212019181716
Res.DLYM4R[2:0]Res.DLYM4L[2:0]Res.DLYM3R[2:0]Res.DLYM3L[2:0]
rwrwrwrwrwrwrwrwrwrwrwrw
1514131211109876543210
Res.DLYM2R[2:0]Res.DLYM2L[2:0]Res.DLYM1R[2:0]Res.DLYM1L[2:0]
rwrwrwrwrwrwrwrwrwrwrwrw

Bit 31 Reserved, must be kept at reset value.

Bits 30:28 DLYM4R[2:0] : Delay line for second microphone of pair 4

This bit is set and cleared by software.

000: No delay

001: Delay of 1 \( T_{\text{SAI\_CK}} \) period

010: Delay of 2 \( T_{\text{SAI\_CK}} \) periods

...

111: Delay of 7 \( T_{\text{SAI\_CK}} \) periods

This field can be changed on-the-fly.

Note: This field can be used only if D4 line is available. Refer to Section 51.3: SAI implementation to check if it is available.

Bit 27 Reserved, must be kept at reset value.

Bits 26:24 DLYM4L[2:0] : Delay line for first microphone of pair 4

This bit is set and cleared by software.

000: No delay

001: Delay of 1 \( T_{\text{SAI\_CK}} \) period

010: Delay of 2 \( T_{\text{SAI\_CK}} \) periods

...

111: Delay of 7 of \( T_{\text{SAI\_CK}} \) periods

This field can be changed on-the-fly.

Note: This field can be used only if D4 line is available. Refer to Section 51.3: SAI implementation to check if it is available.

Bit 23 Reserved, must be kept at reset value.

Bits 22:20 DLYM3R[2:0] : Delay line for second microphone of pair 3

This bit is set and cleared by software.

000: No delay

001: Delay of 1 \( T_{\text{SAI\_CK}} \) period

010: Delay of 2 \( T_{\text{SAI\_CK}} \) periods

...

111: Delay of 7 \( T_{\text{SAI\_CK}} \) periods

This field can be changed on-the-fly.

Note: This field can be used only if D3 line is available. Refer to Section 51.3: SAI implementation to check if it is available.

Bit 19 Reserved, must be kept at reset value.

Bits 18:16 DLYM3L[2:0] : Delay line for first microphone of pair 3

This bit is set and cleared by software.

000: No delay

001: Delay of 1 \( T_{\text{SAI\_CK}} \) period

010: Delay of 2 \( T_{\text{SAI\_CK}} \) periods

...

111: Delay of 7 \( T_{\text{SAI\_CK}} \) periods

This field can be changed on-the-fly.

Note: This field can be used only if D3 line is available. Refer to Section 51.3: SAI implementation to check if it is available.

Bit 15 Reserved, must be kept at reset value.

Bits 14:12 DLYM2R[2:0] : Delay line for second microphone of pair 2

This bit is set and cleared by software.

000: No delay

001: Delay of 1 \( T_{\text{SAI\_CK}} \) period

010: Delay of 2 \( T_{\text{SAI\_CK}} \) periods

...

111: Delay of 7 \( T_{\text{SAI\_CK}} \) periods

This field can be changed on-the-fly.

Note: This field can be used only if D2 line is available. Refer to Section 51.3: SAI implementation to check if it is available.

Bit 11 Reserved, must be kept at reset value.

Bits 10:8 DLYM2L[2:0] : Delay line for first microphone of pair 2

This bit is set and cleared by software.

000: No delay

001: Delay of 1 \( T_{\text{SAI\_CK}} \) period

010: Delay of 2 \( T_{\text{SAI\_CK}} \) periods

...

111: Delay of 7 \( T_{\text{SAI\_CK}} \) periods

This field can be changed on-the-fly.

Note: This field can be used only if D2 line is available. Refer to Section 51.3: SAI implementation to check if it is available.

Bit 7 Reserved, must be kept at reset value.

Bits 6:4 DLYM1R[2:0] : Delay line adjust for second microphone of pair 1

This bit is set and cleared by software.

This field can be changed on-the-fly.

Note: This field can be used only if D1 line is available. Refer to Section 51.3: SAI implementation to check if it is available.

Bit 3 Reserved, must be kept at reset value.

Bits 2:0 DLYM1L[2:0] : Delay line adjust for first microphone of pair 1

This bit is set and cleared by software.

This field can be changed on-the-fly.

Note: This field can be used only if D1 line is available. Refer to Section 51.3: SAI implementation to check if it is available.

51.6.20 SAI register map

Table 434. SAI register map and reset values

OffsetRegister name
reset value
313029282726252423222120191817161514131211109876543210
0x0000SAI_GCRRes.SYNCCOUT[1:0]Res.SYNCIN[1:0]
Reset value0000
0x0004
or
0x0024
SAI_xCR1Res.OSRMCKDIV[5:0]NOMCKRes.DMAENSAIENRes.OUTDRIVMONOSYNCEN[1:0]CKSTRLSBFIRSTDS[2:0]Res.PRTCFG[1:0]MODE[1:0]
Reset value00000000-000000000100000
0x0008
or
0x0028
SAI_xCR2Res.COMP[1:0]CPLMUTECN[5:0]MUTE VALMUTETRISFFLUSFTH[2:0]
Reset value0000000000000000
0x000C
or
0x002C
SAI_xFRCRRes.FSOFFFSPOLFSDEFRes.FSALL[6:0]FRL[7:0]
Reset value000000000000000111

Table 434. SAI register map and reset values (continued)

OffsetRegister name
reset value
313029282726252423222120191817161514131211109876543210
0x0010 or
0x0030
SAI_xSLOTRSLOTEN[15:0]Res.Res.Res.Res.NBSLOT[3:0]SLOTSZ[1:0]Res.FBOFF[4:0]
Reset value0000000000000000000000000000
0x0014 or
0x0034
SAI_xIMRes.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.LFSDTEAFSDTECNRDYEFREQEWCKCFGMUTEDETIEOVRUDRIE
Reset value0000000
0x0018 or
0x0038
SAI_xSRRes.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.FLVL[2:0]Res.Res.Res.Res.Res.Res.Res.Res.Res.LFSDETAFSDETCNRDYFREQWCKCFGMUTEDETOVRUDR
Reset value0000000100
0x001C or
0x003C
SAI_xCLRFRRes.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.CLFSDETCAFSDETCCNRDYRes.CWCKCFGCMUTEDETCOVRUDR
Reset value000000
0x0020 or
0x0040
SAI_xDRDATA[31:0]
Reset value00000000000000000000000000000000
0x0044SAI_PDMCRRes.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.Res.CKEN4CKEN3CKEN2CKEN1Res.Res.MICNBR[1:0]Res.Res.Res.PDMEN
Reset value0000000
0x0048SAI_PDM_DLYRes.DLYM4R[2:0]Res.DLYM4L[2:0]Res.DLYM3R[2:0]Res.DLYM3L[2:0]Res.DLYM2R[2:0]Res.DLYM2L[2:0]Res.DLYM1R[2:0]Res.DLYM1L[2:0]
Reset value000000000000000000000000

Refer to Section 2.3 for the register boundary addresses.